Guys I've been getting into Miles' 1961-1968 period, ending just before Miles In The Sky because I already had that and it was probably the first time I REALLY noticed Tony Williams was an absolute-freakishly amazing drummer. That song, Nefertiti, is incredible. The rhythm section having a chance to improvise and the horns keeping melody instead of having solos here and there. Reversed form or something, never thought of that before!
so anyway, i'm listening to E.S.P. Great album so far. I don't see what's so bad about this underrated quintet. you've got stuff like Someday My Prince Will Come, oh i'm sure he will, Sorcerer, Quiet Nights (includes Gil Fucking Evans), Seven Steps To Heaven (is that an AWESOME name for an album or WHAT), E.S.P., Miles Smiles, and Nefertiti. Wayne Shorter tenor, Herbie Hancock piano, Ron Carter dub bass, Fucking Tony Fuckingh Williams drum machine, oh and of course Mr. Miles Davis TRUMpet. relaxing, attentive to mood, detailed, subtle, calm, smooth, wacky, groovy, ya know. i was getting really into his bitches brew stuff before I figured i'll FIIIINALLY check out his second great quintet's era. so many albums to delve into. chances are you douches won't read this shit but ah well.
more later forgot what i was gonna say shit