I really like it aside from the repetitive samples, but not quite as much as CIAW and IF, which I love. So I do like it for the same reasons, it just happens to have that one thing that makes me not enjoy it as much.
So I'd be happy if the trend of shorter songs on DT12 continues, although I do also like more balance of shorter and longer tracks.
Fair enough!
Back on topic, I agree with the concept of shorter songs with only a few longer songs sprinkled in, but I almost feel like DT12 forced it. It often feels like each song was mechanically pieced together (or stripped down from something else) to serve a purpose, rather than something organic that grew out creative inputs. Oddly enough, think that the longest song, IT, is the biggest culprit of this, with portions of it feeling nearly obligatory. I still really like DT12, but because of this mechanical and seemingly un-passionate feel, it's beginning to lose its flavor.
I actually agree with you concerning DT12. The songs feel a bit too concise in areas, as if some ideas needed more room to breathe, and to be explored further. But I do appreciate that the album isn't long for the sake of filling a disc.
This has been on my mind since the release of the CD.
This is the first album, save WDADU, without a 10-19 minute song, and it made the album feel really limited for me. Having a ton of short, catchy, and in some cases simpler songs (albeit without losing that DT prog feel), caused me to burn out on this album a lot faster. The only song I've had to listen to multiple times to really get it was Surrender To Reason, but besides that there's nothing to pick at (even IT wasn't too complex or "out there"). Sometimes it seems like the best albums are the ones that take longest to get into.
And on IT, I do think it feels pretty forced by DT standards. It has a really cliche structure, at least. Dramatic opening, riff factory, edgy verse-chorus to get it going, instrumental section... All up until the ending, which on my first listen had a striking resemblance to Octavarium's ending, it sounded like a mix of SDOIT's finale and Razor's Edge actually
The only part of the song I think was really neat/cool/unique/new for DT was The Pursuit of Truth (the 11 minute mark of course). I'm still trying to accept IT for what it is, but I can't help but nitpick its structure and motive.
I realize I'm talking pretty negatively about the CD, don't get me wrong I think it's a great album
I just haven't been able to vent my problems with it yet