Ok song. Sounds like it's a transitional song. Not like a segue or anything. More of a filler to keep the story going.
I thought it was supposed to be more of an "intro" song.
Did you not read the interview? "Jordan and I wrote the music as really a prog-metal score to the story. We didn't sit down and say, "Let's write a song, here's the first chorus, whatever." We would go through the story and say, "What's happening here, where is it taking place?" We had to make sure the mythology was right, the timeline was right."
They focus on the story first and foremost, so the songs will be most likely be shorter in order to convey a part of the story, and with repating themes throughout like you'll hear in a movie score. The songs will be standalone, but yet be telling a whole story, and be designed to be played as a whole.
"The one instance that kept speaking to me — where a band had this presentation where it wasn't only about the album, but there was a movie connected to it, there were animations, and there was a show that was immersive — was when Pink Floyd did The Wall. At the same time, I purposely didn't want to really think too much about other concept albums or rock operas, and come from more of a storytelling perspective, take my love for everything — whether it be Star Wars, Lord of the Rings, The Hunger Games, Game of Thrones, Les [Miserables], Jesus Christ Superstar, Disney movies — and come from the perspective of the elements that make those things so special, and such a big part of our lives."
Think movie score and musical, rather than Dream Theater.
Topic: Dream Theater: The Astonishing (now with moment of betrayal!) (Read 1204742 times)