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Why is Systematic Chaos hated so much?

Started by PwnsomeWin, July 25, 2013, 06:59:14 AM

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KevShmev

To get back on the idea of this being a fun album, I think of it this way: it's like your movie collection.  You don't want a collection of nothing but serious dramas; you need some cheesy, action movies.  Sure, there isn't a lot of depth to those kinds of movies most of the time, but they are still fun and serve a purpose.  That is what Systematic Chaos is.

Joshin U

Quote from: KevShmev on August 01, 2013, 10:50:25 AM
To get back on the idea of this being a fun album, I think of it this way: it's like your movie collection.  You don't want a collection of nothing but serious dramas; you need some cheesy, action movies.  Sure, there isn't a lot of depth to those kinds of movies most of the time, but they are still fun and serve a purpose.  That is what Systematic Chaos is.

But you still couldn't help feeling slightly cheated if Stanley Kubrick, Chris Nolan, or David Fincher made a cheesy action movie.

TheGreatPretender

Quote from: Joshin U on August 01, 2013, 10:58:27 AM
But you still couldn't help feeling slightly cheated if Stanley Kubrick, Chris Nolan, or David Fincher made a cheesy action movie.

But Systematic Chaos still retains the level of musicianship that DT has always brought along. It still contains elements of what they do best. So in that respect, if Christopher Nolan decided to give his own interpretation of, say, Demolition Man, and still brought the same kind of scale and cinematography that he's known for, then in spite of all the one liners and intentional goofiness, it would probably still be quite spectacular.

The Boomr

Quote from: TheGreatPretender on August 01, 2013, 12:00:39 PM
But Systematic Chaos still retains the level of musicianship that DT has always brought along. It still contains elements of what they do best. So in that respect, if Christopher Nolan decided to give his own interpretation of, say, Demolition Man, and still brought the same kind of scale and cinematography that he's known for, then in spite of all the one liners and intentional goofiness, it would probably still be quite spectacular.

:tup

eviljust

TMOLS and ITPOE, that's all I can listen from SC. Which was basically disappointing when I've listened to it for the very first time but 6 years have passed and I keep listen to them a lot. Considering them one of the best songs of the last decade, so I really can't say anymore I hate this album, even if for a long time I strenously asserted so.

Oh I have to admit I randomly listen to Forsaken as well, which is so damn catchy for me.

TheGreatPretender

IMO, the piano melody in Forsaken is the best DT had since Wait For Sleep.

eviljust

Quote from: TheGreatPretender on August 01, 2013, 12:52:21 PM
IMO, the piano melody in Forsaken is the best DT had since Wait For Sleep.

Yeah, not too mellow, not too heavy.

Came to me another consideration I wanted to do in the previous post that is, SC for me represents a turning point for DT history. Honestly I haven't read all the posts, but not a coincidence it is the first album with RR and opened the DT universe to a new generation of fans.

The Boomr

Quote from: TheGreatPretender on August 01, 2013, 12:52:21 PM
IMO, the piano melody in Forsaken is the best DT had since Wait For Sleep.

It is a DAMN good melody. Beautiful, haunting....in 7/8  :biggrin: And it flows so naturally. I'm not even a pianist but I learned to play that melody cause I loved it so much :P

Mosh

Quote from: TheGreatPretender on August 01, 2013, 12:00:39 PM
Quote from: Joshin U on August 01, 2013, 10:58:27 AM
But you still couldn't help feeling slightly cheated if Stanley Kubrick, Chris Nolan, or David Fincher made a cheesy action movie.

But Systematic Chaos still retains the level of musicianship that DT has always brought along. It still contains elements of what they do best. So in that respect, if Christopher Nolan decided to give his own interpretation of, say, Demolition Man, and still brought the same kind of scale and cinematography that he's known for, then in spite of all the one liners and intentional goofiness, it would probably still be quite spectacular.
Meh, to me that's saying SC is a lot of fluff with little substance. Which is an apt description IMO.

Shadow Ninja 2.0



Shadow Ninja 2.0


TheGreatPretender

Quote from: Mosh on August 01, 2013, 01:45:55 PM
Meh, to me that's saying SC is a lot of fluff with little substance. Which is an apt description IMO.

Depending on your definition of substance and fluff. The sheer musicianship and complexity of music displayed in Systematic Chaos is all the substance it needs. If you're talking about the lyrics, well, personally, I'd rather listen to songs with fictitious imagery like Forsaken or ITPOE over reality based songs like Six Degrees or pretty much anything on BC&SL. (Although I don't listen to DT for lyrics anyway, and music takes significant priority.) Opinions differ, but just because it's not to your tastes, doesn't make it fluff. The only lyrics I'd consider fluff are generic ones, like The Answer Lies Within, for example. And even then, I think it's a great song because of the music.

Mosh

Quote from: TheGreatPretender on August 01, 2013, 01:54:09 PM
Quote from: Mosh on August 01, 2013, 01:45:55 PM
Meh, to me that's saying SC is a lot of fluff with little substance. Which is an apt description IMO.

Depending on your definition of substance and fluff. The sheer musicianship and complexity of music displayed in Systematic Chaos is all the substance it needs.
I don't agree with that. I like technicality and complicated proggy sections but to me the song comes first. There are a lot of moments on SC where technicality comes first and I don't like that. In some extreme cases (TMOLS I'm looking at you) the song is completely ruined by out of place technical sections. There are plenty of DT songs before and after SC that display sheer musicianship and complexity but don't take away from the song itself.

Wasn't talking lyrics, I don't care for most of the lyrics but whatever, I can put up with them.

TheGreatPretender

Quote from: Mosh on August 01, 2013, 02:01:00 PM
I don't agree with that. I like technicality and complicated proggy sections but to me the song comes first. There are a lot of moments on SC where technicality comes first and I don't like that. In some extreme cases (TMOLS I'm looking at you) the song is completely ruined by out of place technical sections. There are plenty of DT songs before and after SC that display sheer musicianship and complexity but don't take away from the song itself.

Wasn't talking lyrics, I don't care for most of the lyrics but whatever, I can put up with them.

Well, my point still stands. It depends on your definition of fluff, and differing opinions.

Mosh


TheGreatPretender

Gasp! You mean... It's actually possible to agree to disagree without resorting to petty name calling and nerd rage?? We must let the internet know about this right away!

eviljust

Quote from: Mosh on August 01, 2013, 02:01:00 PM
Quote from: TheGreatPretender on August 01, 2013, 01:54:09 PM
Quote from: Mosh on August 01, 2013, 01:45:55 PM
Meh, to me that's saying SC is a lot of fluff with little substance. Which is an apt description IMO.

Depending on your definition of substance and fluff. The sheer musicianship and complexity of music displayed in Systematic Chaos is all the substance it needs.
I don't agree with that. I like technicality and complicated proggy sections but to me the song comes first. There are a lot of moments on SC where technicality comes first and I don't like that. In some extreme cases (TMOLS I'm looking at you) the song is completely ruined by out of place technical sections. There are plenty of DT songs before and after SC that display sheer musicianship and complexity but don't take away from the song itself.

Wasn't talking lyrics, I don't care for most of the lyrics but whatever, I can put up with them.

So would you call TMOLS instrumental section "fluff"?

Mosh

Quote from: TheGreatPretender on August 01, 2013, 02:06:55 PM
Gasp! You mean... It's actually possible to agree to disagree without resorting to petty name calling and nerd rage?? We must let the internet know about this right away!
You're right, this is weird. What I meant to say was: You suck and your opinion is invalid!

Quote from: eviljust on August 01, 2013, 02:09:10 PM
Quote from: Mosh on August 01, 2013, 02:01:00 PM
Quote from: TheGreatPretender on August 01, 2013, 01:54:09 PM
Quote from: Mosh on August 01, 2013, 01:45:55 PM
Meh, to me that's saying SC is a lot of fluff with little substance. Which is an apt description IMO.

Depending on your definition of substance and fluff. The sheer musicianship and complexity of music displayed in Systematic Chaos is all the substance it needs.
I don't agree with that. I like technicality and complicated proggy sections but to me the song comes first. There are a lot of moments on SC where technicality comes first and I don't like that. In some extreme cases (TMOLS I'm looking at you) the song is completely ruined by out of place technical sections. There are plenty of DT songs before and after SC that display sheer musicianship and complexity but don't take away from the song itself.

Wasn't talking lyrics, I don't care for most of the lyrics but whatever, I can put up with them.

So would you call TMOLS instrumental section "fluff"?
Absolutely. It kills what would otherwise be a decent 6 minute track IMO.

eviljust

Allright, just wanted to be sure of it. Totally disagree with you though :D

TheGreatPretender

Quote from: Mosh on August 01, 2013, 02:12:16 PM
Quote from: TheGreatPretender on August 01, 2013, 02:06:55 PM
Gasp! You mean... It's actually possible to agree to disagree without resorting to petty name calling and nerd rage?? We must let the internet know about this right away!
You're right, this is weird. What I meant to say was: You suck and your opinion is invalid!

Ah, that's the internet I know. It might not be pleasant, but it's reliable... Like an old chair that you've had for 10 years, and it makes your ass sore every time you sit on it.

Dublagent66

Quote from: Mosh on August 01, 2013, 02:12:16 PM
Quote from: TheGreatPretender on August 01, 2013, 02:06:55 PM
Gasp! You mean... It's actually possible to agree to disagree without resorting to petty name calling and nerd rage?? We must let the internet know about this right away!
You're right, this is weird. What I meant to say was: You suck and your opinion is invalid!

Quote from: eviljust on August 01, 2013, 02:09:10 PM
Quote from: Mosh on August 01, 2013, 02:01:00 PM
Quote from: TheGreatPretender on August 01, 2013, 01:54:09 PM
Quote from: Mosh on August 01, 2013, 01:45:55 PM
Meh, to me that's saying SC is a lot of fluff with little substance. Which is an apt description IMO.

Depending on your definition of substance and fluff. The sheer musicianship and complexity of music displayed in Systematic Chaos is all the substance it needs.
I don't agree with that. I like technicality and complicated proggy sections but to me the song comes first. There are a lot of moments on SC where technicality comes first and I don't like that. In some extreme cases (TMOLS I'm looking at you) the song is completely ruined by out of place technical sections. There are plenty of DT songs before and after SC that display sheer musicianship and complexity but don't take away from the song itself.

Wasn't talking lyrics, I don't care for most of the lyrics but whatever, I can put up with them.

So would you call TMOLS instrumental section "fluff"?
Absolutely. It kills what would otherwise be a decent 6 minute track IMO.

Huh?  Are we listening to the same song?  TMOLS is just under 15:00 mins in length and the instrumental section is just under 4:00 mins.  The first half of the song leads into the instrumental which begins at 7:29 (elapsed) and ends at 11:20.  The outro itself is over 2:00 mins.  How did you end up with only a 6:00 min song?  BTW, the instrumental section is a brilliant piece of music and I would not like the song as much without it there.

The Boomr

Quote from: Dublagent66 on August 01, 2013, 02:51:43 PM
Huh?  Are we listening to the same song?  TMOLS is just under 15:00 mins in length and the instrumental section is just under 4:00 mins.  The first half of the song leads into the instrumental which begins at 7:29 (elapsed) and ends at 11:20.  The outro itself is over 2:00 mins.  How did you end up with only a 6:00 min song?  BTW, the instrumental section is a brilliant piece of music and I would not like the song as much without it there.

:tup

TheGreatPretender

Quote from: Dublagent66 on August 01, 2013, 02:51:43 PM
BTW, the instrumental section is a brilliant piece of music and I would not like the song as much without it there.
:tup

Mosh

Quote from: Dublagent66 on August 01, 2013, 02:51:43 PM
Quote from: Mosh on August 01, 2013, 02:12:16 PM
Quote from: TheGreatPretender on August 01, 2013, 02:06:55 PM
Gasp! You mean... It's actually possible to agree to disagree without resorting to petty name calling and nerd rage?? We must let the internet know about this right away!
You're right, this is weird. What I meant to say was: You suck and your opinion is invalid!

Quote from: eviljust on August 01, 2013, 02:09:10 PM
Quote from: Mosh on August 01, 2013, 02:01:00 PM
Quote from: TheGreatPretender on August 01, 2013, 01:54:09 PM
Quote from: Mosh on August 01, 2013, 01:45:55 PM
Meh, to me that's saying SC is a lot of fluff with little substance. Which is an apt description IMO.

Depending on your definition of substance and fluff. The sheer musicianship and complexity of music displayed in Systematic Chaos is all the substance it needs.
I don't agree with that. I like technicality and complicated proggy sections but to me the song comes first. There are a lot of moments on SC where technicality comes first and I don't like that. In some extreme cases (TMOLS I'm looking at you) the song is completely ruined by out of place technical sections. There are plenty of DT songs before and after SC that display sheer musicianship and complexity but don't take away from the song itself.

Wasn't talking lyrics, I don't care for most of the lyrics but whatever, I can put up with them.

So would you call TMOLS instrumental section "fluff"?
Absolutely. It kills what would otherwise be a decent 6 minute track IMO.

Huh?  Are we listening to the same song?  TMOLS is just under 15:00 mins in length and the instrumental section is just under 4:00 mins.  The first half of the song leads into the instrumental which begins at 7:29 (elapsed) and ends at 11:20.  The outro itself is over 2:00 mins.  How did you end up with only a 6:00 min song?  BTW, the instrumental section is a brilliant piece of music and I would not like the song as much without it there.
Well, for starters I don't have all these lengths memorized, my sincere apologies. I said 6 minutes because that's about average length for a "short" DT song these days and TMOLS would've been better off as a shorter song IMO.

The Boomr

For me, if it had been a short DT song, around 6 minutes or whatever, TMOLS would've then become a boring track. Half the intensity of it would be taken away by lack of that instrumental section, and more than half the emotions would disappear if there was no outro. And those two things would be pretty much guaranteed in order to make the song that short.

ariich

Quote from: TheGreatPretender on August 01, 2013, 12:00:39 PM
if Christopher Nolan decided to give his own interpretation of, say, Demolition Man, and still brought the same kind of scale and cinematography that he's known for, then in spite of all the one liners and intentional goofiness, it would probably still be quite spectacular.
I want to see this.

MAKE IT HAPPEN

Quote from: Buddyhunter1 on May 10, 2023, 05:59:19 PMAriich is a freak, or somehow has more hours in the day than everyone else.
Quote from: TAC on December 21, 2023, 06:05:15 AMI be am boner inducing.

AngelBack

Quote from: TheGreatPretender on August 01, 2013, 02:55:53 PM
Quote from: Dublagent66 on August 01, 2013, 02:51:43 PM
BTW, the instrumental section is a brilliant piece of music and I would not like the song as much without it there.
:tup

Totally agree with this.  The instrumental adds some needed "tension" and JP's solo is just blistering.  I love this song and wish the outro was 5 minutes longer.  The synths are beautiful and the simple but soulful JP melody on the outro just does it for me.

Zook

Quote from: AngelBack on August 01, 2013, 05:48:33 PM
Quote from: TheGreatPretender on August 01, 2013, 02:55:53 PM
Quote from: Dublagent66 on August 01, 2013, 02:51:43 PM
BTW, the instrumental section is a brilliant piece of music and I would not like the song as much without it there.
:tup

Totally agree with this.  The instrumental adds some needed "tension" and JP's solo is just blistering.  I love this song and wish the outro was 5 minutes longer.  The synths are beautiful and the simple but soulful JP melody on the outro just does it for me.

The outro seems like it's 5 minutes too long. 

Nel_Annette

Quote from: bosk1 on July 29, 2013, 11:10:03 AM
I've posted it before, but yeah:  I don't like Another Day at all.  And as for songs that I consider "just okay, usually don't have a desire to listen, but they have some good moments that I want to hear every once-in-awhile":  Surrounded, Take The Time, and Under A Glass Moon.

You listed the exact four songs I don't like on the album.  :lol Seriously, the other four are all 10/10s to me, but these four have always kept I&W on the lower part of my DT list.

Rattlehead

Quote from: KevShmev on August 01, 2013, 10:50:25 AM
To get back on the idea of this being a fun album, I think of it this way: it's like your movie collection.  You don't want a collection of nothing but serious dramas; you need some cheesy, action movies.  Sure, there isn't a lot of depth to those kinds of movies most of the time, but they are still fun and serve a purpose.  That is what Systematic Chaos is.

That's a clever comparison  :lol I can definitely agree with that. 

Jaffa

Quote from: KevShmev on August 01, 2013, 10:50:25 AM
To get back on the idea of this being a fun album, I think of it this way: it's like your movie collection.  You don't want a collection of nothing but serious dramas; you need some cheesy, action movies.  Sure, there isn't a lot of depth to those kinds of movies most of the time, but they are still fun and serve a purpose.  That is what Systematic Chaos is.

See, to me, my movie collection doesn't need any cheesy action movies.  True, I don't want a collection of nothing but serious dramas, but it's not like there's nothing to choose from but serious dramas and cheesy action movies.  There are comedies, and romances, and thrillers, and horrors, and mysteries, and plenty of other stuff, including... y'know, non-cheesy action movies.  All of which I would rather have in my collection than cheesy action movies.

... That being said, I like Systematic Chaos.  So I'm not arguing with your point, only with your analogy.   :lol

Shadow Ninja 2.0

The One demands to be added to your movie collection.

Mosh

Quote from: Zook on August 01, 2013, 07:57:08 PM
Quote from: AngelBack on August 01, 2013, 05:48:33 PM
Quote from: TheGreatPretender on August 01, 2013, 02:55:53 PM
Quote from: Dublagent66 on August 01, 2013, 02:51:43 PM
BTW, the instrumental section is a brilliant piece of music and I would not like the song as much without it there.
:tup

Totally agree with this.  The instrumental adds some needed "tension" and JP's solo is just blistering.  I love this song and wish the outro was 5 minutes longer.  The synths are beautiful and the simple but soulful JP melody on the outro just does it for me.

The outro seems like it's 5 minutes too long.
That too. Forgot about the outro. It's a pretty melody but it feels like it goes on forever.

aprilethereal

Quote from: AngelBack on August 01, 2013, 05:48:33 PM
Quote from: TheGreatPretender on August 01, 2013, 02:55:53 PM
Quote from: Dublagent66 on August 01, 2013, 02:51:43 PM
BTW, the instrumental section is a brilliant piece of music and I would not like the song as much without it there.
:tup

Totally agree with this.  The instrumental adds some needed "tension" and JP's solo is just blistering.  I love this song and wish the outro was 5 minutes longer.  The synths are beautiful and the simple but soulful JP melody on the outro just does it for me.

This. The outro and the instrumental are some of main reasons why I love TMOLS.