Caught In a Web as the best DT-song ever... to each their own, porcacultor, but here I am, curious to the 'how on earth'...
(...)
What can I say? I had a feeling it would be my top track before I started going through the ranker, and then came out at the end and was like "yup, there it is". I don't know if it makes sense, but I can somewhat easily dissociate between it being the objective best DT track and being my favorite -- I'm only ever interested in the latter type of assessment. But I'll digress further below, if you're interested.
58. Outcry
NRDid not rank for me. It's a fine track, but I somehow don't enjoy the feel of it. Almost as if it were "too slow"? I dunno. Not even close to a favorite.
57. Hell's Kitchen
#12 Such a jammy jam. Beautiful instrumental, it was a really smart move to separate it from Burning my Soul (which I do enjoy a bunch, though!).
56. On The Backs Of Angels
#80The first track to come out of the MM era, and one that made me sigh with relief thinking "we're going to be alright". Very good.
55. Panic Attack
#79I think it's my least favorite from 8vm, and it still ranked for me. Might've been one of my favorites from around the time the album came out given the heaviness (it was what I wanted from them as a 14-year-old). Still dig it a lot, particularly with the sound of the baritone guitar.
54. These Walls
#7 Some of my favorite vibes. Favorite 8vm track. Again, JP got a fantastic sound out of the baritone guitar on this one, but everyone is firing on all cylinders. A little masterpiece in my book.
53. The Great Debate
#18 Glad to see this one so high up in the ranking -- I figured it'd be left out given how many people seem to despise it. One of the least derivative "tribute" tracks in a way -- I get that it's Tool worship, but that idea got so heavily filtered into the DT engine, it sounds very much like DT being DT.
52. Barstool Warrior
NRSomething about this track doesn't do it for me at all. I do like MM's ideas at the start, though.
51. Caught In A Web
#1The ideas of DT's longer songs condensed into solid five-and-a-half minutes. Studio album tracklisting-wise, it's the first track where JP whips out the 7-string guitar (I know they probably wrote Puppies on Acid/The Mirror first, but that comes later in the album proper), and he instantly shows he can do damage with it. JLB's performance on this gives me CHILLS. KM has so many great ideas on keys, I have a hard time picturing him being aloof in the studio. Also, it's a fun one to refer back to the demo version and compare the arrangements and part sequencing.
To sum it all up... "so energy, powah!". My favorite!