11. Bridges in the Sky- One of my favorites from ADTOE. Here, I find my brother in my room, singing the chorus with me. It starts off on a delicious metal note (after the strange beginning with the Agnus Dei keyboard patch), then the lyrics appear. The atmosphere of the lyrics just feel really dark, and I enjoy them immensely. The first chorus hits, and then ends before it finishes, and the song basically starts over. Verse 2, feels a bit darker, then the chorus hits in ALL ITS GLORY. Then the wankery happens, and it fits wonderfully. I'm surprised the guitar solo almost never gets mentioned, but I feel it should get one right here. Then the keyboard solo happens, then another guitar solo, then keyboard and guitar unison, then the chorus in all its glory again. Then, we have a great, heavy exit from the song.
10. Six Degrees of Inner Turbulence- Oh... I just feel like this is going to be a long writeup...
Overture: A bit less structured than Overture 1928 (HERE'S ITS HONORABLE MENTION HERE), but overall a great way to combine all the themes of the parts.
ATC: 2nd most listened to part of the song. I have quite a few bipolar friends, so this song kind of just makes sense. I like how the girl has some kind of advisor/boyfriend/father figure watching over her in this. The melody is generally catchy, the chorus is definitely catchy, a great part.
WIMH: Short, sweet, heavy, and delicious. I love the usage of military themes (I LOVE them) to further portray the atmosphere of the thoughts of a person with PTSD.
TTTSTA: Most listened part. Waging a war inside my- BOOM, HEAVY, SUPER FAST. TEI reminds of this a bit, now that I think of it. Time signatures all over the place, mostly 6/8 and 7/8. The lyrics are so ANGRY. The chorus with James' falsetto is creepy as hell. As a synesthete, the mental images I get listening to this song are pretty intense.
GK: From super heavy to... ballad section? I found that a bit strange. James rules in this section, so I'm not going to go to hard on the band for the progression of the song. Jordan also has a great performance during this song.
SS: From the ballad section to super-clear acoustics, and keyboards all over the place. Since this song is about a child with autism (my brother is high-powered autistic), I can relate to it. This is about as poppy as the entire album gets, but it's a good poppy section.
ATCR: Those introductory guitars, that piano, I forget the name of the genre. Anyways, other than that introduction, I like this part. It is a great reprise, and James does even better here than in the first part of it.
LT/GF: A lighter part of the song, it even seems a bit sad, as a person close to one with multiple personality disorder would feel very sad if she became friends, and the next day the person doesn't even know them anymore. This is the "epic" section of the song. Can I use power metal as a description (it's completely wrong, I know) the keyboards feel really nice, and James, during the Grand Finale, is amazing.
Now, if I were to reorder the parts of the song, it would go like this:
Overture, GK, SS, LT, ATC (both parts), WIMH, TTTSTA, GF
9. In the Presence of Enemies, Part 2- Heretic: THAT DELICIOUS BASS. THOSE VOCALS. THOSE KEYBOARDS. Yet, for some reason, I don't listen to this part very often. In fact, even though I love this part, I generally skip to 6:17, at the beginning of Slaughter of the Damned.: This is my favorite part of ANY song to listen to while angry. It just FEELS so great. The chorus of this part has an excellent melody. 2nd verse, different lyrics, then the 2nd chorus, then 8:50. OH MY GOD THAT BUILDUP. Then the ultimate height of the song IT'S TIME FOR YOUR RECKONING. The guitar, keyboard, and drums right after it at The Reckoning: feel so aggressive for the first 2 seconds, then it's just a bunch of wankery until 13:13, which is one of my favorite instrumental endings. 13:43 has my favorite bass + keyboard section. Then the lyrics come back, and the song ends on a great note.