Author Topic: Live parts that you can't unhear in the studio version (Read 6480 times)

SeRoX · « **Reply #35 on:** July 20, 2012, 02:26:50 PM »

There was a performance where Portnoy yelled: James LaBraaeeeyyy during the song. Which was it?

JayOctavarium · « **Reply #36 on:** July 20, 2012, 03:50:11 PM »

Quote from: TheGreatPretender on July 19, 2012, 09:37:48 PM

Not so much a Live moment, but I can never unhear those cut lyrics from Fatal Tragedy, "I sense a need to try and clarify my memories. My quest begins today."

Quote from: lithium112 on July 20, 2012, 12:55:11 AM

"Apocalyptic... JAMES LABRIE!" will forever be stuck in my head during CM.

Quote from: SomeoneLikeHim on July 20, 2012, 12:22:32 PM

WHO WANTS TO COME?!!

MoraWintersoul · « **Reply #37 on:** July 20, 2012, 04:35:09 PM »

Quote from: SomeoneLikeHim on July 20, 2012, 12:22:32 PM

WHO WANTS TO COME?!!

Having a brainfart here; where?

JayOctavarium · « **Reply #38 on:** July 20, 2012, 04:37:06 PM »

Home... during the sex scene...

its in the studio song... as a sample (from the scene in the casino that is played at the same time)

MoraWintersoul · « **Reply #39 on:** July 20, 2012, 05:15:20 PM »

Quote from: JayOctavarium on July 20, 2012, 04:37:06 PM

Home... during the sex scene...

its in the studio song... as a sample (from the scene in the casino that is played at the same time)

Ah, yeah, I always skip that part, so it's not a wonder.

wolfandwolfandwolf · « **Reply #40 on:** July 20, 2012, 05:20:00 PM »

I do too, because it is incredibly lame.

? · « **Reply #41 on:** July 21, 2012, 02:01:47 AM »

The way James sings "every step brings me closer to my last" in Pull Me Under on Live in Tokyo, MP's drumming in PMU intro on Budokan, "you can eat my ass and balls" in Fatal Tragedy chorus, many of the random high screams James did in many songs in the I&W days

Lolzeez · « **Reply #42 on:** July 21, 2012, 05:12:57 AM »

Quote from: Ben_Jamin on July 20, 2012, 02:21:37 PM

"oooohhh...shake that thing mama"

I can never listen to Acid Rain without hearing that part in my head.

This.

jeebustrain · « **Reply #43 on:** July 21, 2012, 08:29:36 AM »

4:28 here is my favorite James word/note ever - "but I will HOLLLDDD"
https://www.youtube.com/watch?v=0-i8UBSCxTQ

I so wish the studio version that that.

wasteland · « **Reply #44 on:** July 21, 2012, 08:46:22 AM »

Pretty much every high scream JLB introduced in 92-97 and more recently in 2012.

Most prominently, the F# or G at the ending of Pull Me Under ("Only until... your... will's DOOOOOOONE!!!")

MoraWintersoul · « **Reply #45 on:** July 22, 2012, 04:09:19 PM »

Quote from: wasteland on July 21, 2012, 08:46:22 AM

Pretty much every high scream JLB introduced in 92-97 and more recently in 2012.

Most prominently, the F# or G at the ending of Pull Me Under ("Only until... your... will's DOOOOOOONE!!!")

Pretty much my post.

I'd say every change to ACOS haunts me but I don't even listen to the studio version anymore. Who needs that after the perfection of LSFNY.

E.S. · « **Reply #46 on:** July 22, 2012, 04:49:03 PM »

Quote from: wolfandwolfandwolf on July 20, 2012, 08:35:53 AM

Quote from: voncorn on July 20, 2012, 08:33:19 AM
Quote from: E.S. on July 20, 2012, 08:31:38 AM
All the misheard lyrics. I'm ruined for life.

smile on the ceiling, the devil in mah beeeed
I'm horrible with Another Day and Voices-

"They took pictures of our dicks" and "F** this whore, drink a troll".

CAPTAIN SEX!

Also there's Only A Matter Of Time:

A cat's at his window
He swears at performers
To unlift the tits on the wall

CrimsonSunrise · « **Reply #47 on:** July 22, 2012, 05:02:24 PM »

Quote from: MoraWintersoul on July 22, 2012, 04:09:19 PM

I'd say every change to ACOS haunts me but I don't even listen to the studio version anymore. Who needs that after the perfection of LSFNY.

HERETIC!!!!!!!! ....................

See, I'm the opposite. I really dislike the "parlor piano" or whatever you call it in the LSFNY version of ACOS. So much so that I rarely watch it anymore, and I'd NEVER listen to it on the CD.

One that stands out to me on a positive is the Orchestra in 6DOIT off Score.

TheGreatPretender · « **Reply #48 on:** July 22, 2012, 05:24:57 PM »

Quote from: MoraWintersoul on July 22, 2012, 04:09:19 PM

I'd say every change to ACOS haunts me but I don't even listen to the studio version anymore. Who needs that after the perfection of LSFNY.

While I love the meat of that version, like the music they played, the piano solo, the Simpsons guitar solo, etc. The one thing that I'll never get over is the fans humming the guitar melody at the beginning. I know it's a popular thing to do, but I get annoyed when audiences sing along with instruments. So because of that, I'll still prefer the studio version.

Quote from: CrimsonSunrise on July 22, 2012, 05:02:24 PM

HERETIC!!!!!!!! ....................

Demon heart, bleed for us!

Marion Crane · « **Reply #49 on:** July 22, 2012, 06:15:34 PM »

"something something! God it's Sunday, DO HAIR!!"

Cannot be unheard

gabeh1018 · « **Reply #50 on:** July 22, 2012, 08:45:20 PM »

endless sacrifice from LaB, going into the 2nd verse, you hear that click or whatever it is, everytime i listen to the studio version of ES i always expect to hear that click

so annoying now

lionfury · « **Reply #51 on:** July 22, 2012, 10:12:32 PM »

I once found a youtube video where Labrie yelled "YEAH MOTHERFUUCCKER!!!!" in the middle of Honor Thy Father. It sounded so stupid that I hear it all the time now.

a51502112 · « **Reply #52 on:** July 23, 2012, 10:03:54 AM »

The extra screams JLB does in Perfect Strangers.

I hear them even when I listen to the DP original.

Also... "Bonjour, Paris".

FlyingBIZKIT · « **Reply #53 on:** July 23, 2012, 10:08:08 AM »

Quote from: lithium112 on July 20, 2012, 12:55:11 AM

Also, during Schmedley Wilcox (CiM tour) at the end of the vocals in Razor's Edge, just as JP comes in on his guitar melody, MP made this "HOUGH" sound which I loved.

When I first heard it, I thought he burped or something. Shit was weird.

TheGreatPretender · « **Reply #54 on:** July 24, 2012, 12:44:25 PM »

I just realized I can't unhear the intro to Fatal Tragedy, the way they played it on LSFNY.

Implode · « **Reply #55 on:** July 24, 2012, 12:46:33 PM »

Quote from: wasteland on July 21, 2012, 08:46:22 AM

Pretty much every high scream JLB introduced in 92-97 and more recently in 2012.

Most prominently, the F# or G at the ending of Pull Me Under ("Only until... your... will's DOOOOOOONE!!!")

Definitely this for me. Especially the F# in Under a Glass Moon and E in Take the Time.

DTFan0789 · « **Reply #56 on:** July 24, 2012, 12:53:08 PM »

Quote from: Fiery Winds on July 20, 2012, 05:02:04 AM

JLB saying "Mr. John Petrucci!" while JP holds that final bend at the end of the solo in TSCO.

This. Gives me chills every time.

chrisbDTM · « **Reply #57 on:** July 24, 2012, 12:54:26 PM »

Quote from: lithium112 on July 20, 2012, 12:55:11 AM

"Apocalyptic... JAMES LABRIE!" will forever be stuck in my head during CM.

I saw DT twice on that tour and the second time i yelled that and got the strangest looks from those around me

MoraWintersoul · « **Reply #58 on:** July 25, 2012, 03:21:31 AM »

Yesterday I listened to Metropolis 2000 and I couldn't unhear "eat my ass and balls". So now it spreads from one live version to others as well. Seriously had to pause it and laugh at myself.

Ultimetalhead · « **Reply #59 on:** July 25, 2012, 07:25:08 PM »

"C'MON HANDS"

snapple · « **Reply #60 on:** July 25, 2012, 08:18:47 PM »

Quote from: Adami on July 19, 2012, 08:39:43 PM

Also the scream in Metropolis from Tokyo.

which one is that?

SystematicThought · « **Reply #61 on:** July 25, 2012, 08:42:46 PM »

"I told them to put crazy glue on that" during Home on LSFNY

Adami · « **Reply #62 on:** July 25, 2012, 09:19:54 PM »

Quote from: snapple on July 25, 2012, 08:18:47 PM

Quote from: Adami on July 19, 2012, 08:39:43 PM
Also the scream in Metropolis from Tokyo.

which one is that?

The one where I mistake Live at the Maquee with Live from Tokyo.

m0hawk · « **Reply #63 on:** July 25, 2012, 10:25:01 PM »

PLEASE! DON'T! GO!

Also, from Score, JLB's Oc-ta-va-ri-YUUUUUUUUUUUUUUUUUUUUUUUUUMMMMM is so damn powerful that the studio version feels painfully empty.

IdoSC · « **Reply #64 on:** July 26, 2012, 03:08:20 AM »

It probably doesn't count, because you guys mostly mention James interacting with the audience, not actual rhythm modifications or whatever. But if I could take the vocal melodies of The Killing Hand from Live at the Marquee and replace it with the original album's as the standard for this song, including all the WOAAH's and the crazy screams in the song's grand finale, I would've been a happy man.

Also, the high notes James throws in Under a Glass Moon in the current tour. Hearing him screaming out "Praying for TIME to disappear" like that is either awesome or amusing every single time, which is enjoyable either way.

snapple · « **Reply #65 on:** July 26, 2012, 02:44:45 PM »

Quote from: Adami on July 25, 2012, 09:19:54 PM

Quote from: snapple on July 25, 2012, 08:18:47 PM
Quote from: Adami on July 19, 2012, 08:39:43 PM
Also the scream in Metropolis from Tokyo.

which one is that?

The one where I mistake Live at the Maquee with Live from Tokyo.

To think I spent 20 minutes looking for this when I was thinking "he probably meant LATM"

News: Track-by-track video for Fall Into the Light: https://www.youtube.com/watch?v=3ezfzdMpRc0

Author Topic: Live parts that you can't unhear in the studio version (Read 6480 times)