The first three songs could gladly be chopped off
I've long felt this way about Awake. Sure, 6:00 has some fantastic drumming and the ending solo of Innocence Faded is one of my favorite bits of the CD, but I've always felt these three songs were a really weak start.
I beg to differ. There's a lot more to "6:00" than its (admittedly awesome) drum parts (a definite highlight of MP's tenure with the band). For one, JP's guitar tone and actual guitar parts are pretty funky and unique-sounding for DT. He never quite went back to the silky, almost Strat-like tone he used for the guitar parts on "6:00" (which, to me, is shame because it makes the guitar stand out a helluva lot better than his current, distortion-soaked tone... it just blended in better with the other instruments, particularly the keyboads). Also, the lyrics to "6:00" are pretty good and insightful (and document KM's psyche at the time pretty accurately).
"Caught in a Web" has always been a pennial favorite of mine. JB's vocals on it are beyond amazing. I always dug the grittier approach he took on "Awake" (it gave the vocals added character and-- for the lack of a better terms-- some balls) and I think it worked particularly well on this song (giving an extra dimension to the jaded lyrics). I also always have been enamoured with the chromatic section they stuck in the middle of the song. I think it gives the song a slight (yet adequate) progressive touch and the section itself sounds extremely cool.
I like "Innocence Faded" a whole lot too and never really understood why it got so much heat from most DT fans. Sure, it's not the most mind-blowing and original song you'll ever hear but it's pretty neat and I've always liked it. And that Dregs-influenced outro is simply outstanding. That's as anthemic as DT ever got (without sounding cheesy or forced in the slightest). I like the lyrics too.
NM just kind of blows. With every other album, there's an opening track that makes me jump up and down, like "yaaaay hell yeah starting my lovely millionth full listen, I love you Dream Theater", while with NM and FII, I just sink into my chair. Or hit the floor with a loud thump when I remember "watching you run is making me lazy" will follow it. Most of the time I just skip these two. I wouldn't go as far as to say they completely ruin FII for me, but you do NEED a good opener.
I disagree. This is DT's sole foray into the minimalist, locked-in, almost drone-like approach that's common fare for people like Trey Gunn (who excels at it). It's the kind of thing that sounds proggy as hell and (if done right) that can help you attain musical bliss (probably trance-induced... but what the heck). Also, "New Millennium" features one of the most focused and interesting instrumental section the band ever did (one that no one can accuse of being wank-driven). I do agree that the vocal melodies and the lyrics could be better though...