I watched the rest of the bonus stuff - ugh. The main doc was too long and suffers from the complaints I mentioned, and the bonus footage is that footage padded out. It loses it's uniqueness hearing eight different people say the same things over and over (think "Nigel" in Spinal Tap while reading): "Well, the <lighting/sound/merch/whatever> is critical, really. If the band doesn't feel like home, then the whole thing falls apart, dunnit? No one really knows how long the days are, they're really long, and the work is so hard, and it's all in the details, right? If <light/drum mic/flight case/whatever> is even six inches to the left, then the whole thing is bollocks, innit? But I love what I do, and the people are... well, they're dicks, really." <Cut to the guy who was just talking throwing a <light cable/t-shirt/empty paper cup/whatever> at Erik Nielsen or vice versa, or two or three of them dancing a stupid jig on the empty stage>.
There was some insight; the keyboard rig fascinates me. I for the life of me can't figure out if Mark Kelly actually plays piano, or isn't just a fancy DJ. It seems that there are a LOT of moments where he hits one key and an entire figure plays out over the monitors. I can't decide if that's really "playing" or not. Also, Rothery's guitar tech during the Marbles and Somewhere Else tours (Colin Price) is now the guitar tech for none other than Dave Murray, so he must be doing something right.