I've heard the record. I object to the flowery, pandering language ("the most sizzling keyboard solo imaginable"? Mmmkay.) but the sentiment is pretty spot on. This is a solid, well-rounded record. If you're committed to TSOAD and TGA, this might not be at that level of complexity, but for me, those two haven't resonated quite as much and this has the potential to be my favorite of the NMB albums (though "Alive Again" is my favorite epic, so there's that to overcome).
I was doing some house work (painting and installation of a closet organizer) while listening to it I was struck by two points that the author mentions in his review: one, there are a LOT of moments where I went "wow, that's Yes from [insert song]", or "wow, that's Genesis, the melody line from [insert song]" and while that sounds like a cop out, it almost always precedes something that is almost entirely unique to NMB. Not ONCE in listening to that entire record (multiple times) did I ever think "Wow is this derivative". It's NMB, and there's a voice, a style to it that is all it's own.
Second, this is BY FAR the most secular NMB or Neal Morse album I've heard. I'm really good about overlooking the more obvious Jesus/God references, and I'm prone to using my own interpretations ("Supernatural" is one of my favorite Neal songs, and for me that song is just about general love and positivity, not the ethereal, "supernatural" nature of God's love). There isn't much effort needed to bring these songs from a religious perspective to a more general LIFE perspective. I don't know how old Bill is, but Neal is 61 and Mike is 54, and the lyrics on this record are VERY MUCH in keeping with the conflicting emotions of a man looking backward as much as looking forward. “The Way It Had To Be” falls very much in this vein; the first time I listened to the album, I went over and replayed this song twice more before moving on to the next piece. I can only speak for myself, but as a man, a father, a son, who has gone through divorces and is watching his parents fade (for lack of a better word) those words resonate in a way that few songs by any artist do. Bird On A Wire is by far my favorite song on this record; the chorus is one for the ages, if you like those choruses that just pop into your head at random times. "Bridge..." is WAYYYYYYYYYYYYYYYYYYY better than it has any business being and the comparison to "America" (also a S&G song) is apt. The epics are good, but they are, as the author said, a lot to digest. I'm sorry he didn't mention it, but the first couple minutes of "Beyond The Years" is jarring, coming directly from Disney such as it does.