I think Nine Inch Nails was always kind of fated to be the story of one guy's destruction. Hell, titles like "The Downward Spiral" and "the Self-Destruct tour" proved eerily prophetic. We were always watching a man watching his own slide to ruin. It was beautiful, it was chilling, and it was so real it made Trent the poster-boy for "Rock Casualties Waiting to Happen."
What no one expected was that "Nine Inch Nails" would also become a story about return, redemption, and recovery. "With Teeth" saw him finding his footing again by grabbing on to classic rock sounds, even conjuring a screaming crowd on the last track. "Year Zero" was indicative of his new social and political awareness: opening up to a world beyond himself. "The Slip" and "Ghosts" were both symptoms of a new, sober, overactive creativity and vessels for his varyed business experiments. The internet has given him the freedom none of his million-dollar record contracts or countless legal fights could.
Now we see him sober, happy, stable, creative, successful, loving and secure in the knowledge that he's loved. They say the only difference between a happy ending and a sad ending is where you run out of film. I can't blame Trent for wanting to cut the film right here and let NIN stand as a paragon for what you can survive and achieve, if you just keep fighting.