Unfortunately, I haven't been able to post much of my thoughts this time around. But it is interesting seeing how the list has been. I'll start my list from where I left off. I'll also include the rest, so sorry for the long post.
I am way, way behind on this so I will just list these songs and show where they ranked in my rankings.
100. Never Enough - (Did Not Rank)
99. Wither - (Did Not Rank)
98. The Gift Of Music - (#54)
97. Vacant - (Did Not Rank)
96. Afterlife - (#91)
95. Forsaken - (Did Not Rank)
94. S2N - (#73)
93. Our New World - (Did Not Rank)
92. The Looking Glass - (Did Not Rank)
91. A New Beginning - (#97)
90. Transcending Time - (Did Not Rank) (Although, I do really enjoy this song)
89. Behind The Veil - (#67)
88. This Is The Life - (#49)
87. New Millennium - (Did Not Rank)
86. Constant Motion - (Did Not Rank)
85. Sleeping Giant - (Did Not Rank)
83t. The Enemy Inside - (Did Not Rank) (I really enjoy the energy of this song a lot)
83t. Surrender To Reason - (#74)
82. Only A Matter Of Time - (#42)
81. Awaken The Master - (#13)
80. I Walk Beside You - (#64)
79. The Shattered Fortress - (#35)
78. A Fortune In Lies - (#89)
77. The Best Of Times - (#50)
76. To Live Forever - (#76) (So glad I was fortunate to see this on the I&W&B tour)
75. Answering The Call - (#11)
74. Through Her Eyes - (#34)
73. Lost Not Forgotten - (Did Not Rank)
72. Fall Into The Light - (#48)
71. Honor Thy Father - (#99)
70. The Dark Eternal Night - (Did Not Rank)
69. The Alien - (Did Not Rank)
68. The Killing Hand - (Did Not Rank)
67. Ytse Jam - (#88) - (I am hoping I get to see this one live someday soon.)
66. The Silent Man - (#94) - (If taken as a whole, the Mind Beside Itself suite would be in my top 5.)
65. Raise The Knife - (#63) - (I never heard this song until I saw Score. It's quite a shame it wasn't released on the actual album, but kudos for them busting out on a live release so this gem of a song can see the light of day.)
64. Beneath The Surface - (#52) - (This is a great way to end ADTOE. It's a good ballad and one I wouldn't mind hearing live at all. I am glad they did this type of acoustic ballad for their debut with MM, and also, that they revisited this type of mood, acoustic ballad type of sound with certain parts in The Astonishing, such as The Answer, Saviour In The Square/When Your Time Has Come, and Chosen, to name a few. If I didn't use the ranker and had more time to make the list on my own, it would've ranked a bit more higher up.)
63. Sacrificed Sons - (#98) - (This song has a groovy instrumental section. I love the use of the continuum in this song, especially the verses. This comes across way better live, and is one of the highlights for me on Score, since it is also a song where the Orchestra enhances the vibe and song as a whole.)
62. Pale Blue Dot - (#93) - (One of the best DT intros regarding the drums and rhythm pattern. I like how it starts off complex, the sort of bleak vibe and mood while also feeling a bit introspective. I do find it quite fascinating that we got this song about the cosmos, and then the first song of the next album is about Humanity being the Alien whilst discovering other pale blue dots in the cosmos.
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61. The Ministry Of Lost Souls - (#45) - (I'm so glad they decided to play this on the Top of The World Tour. You should've my face when they transitioned into it from About To Crash (I was all, "I wonder what they'll transition into). I enjoy the story of the lyrics and the emotion in JLB's voice. I also do not mind the middle instrumental section either and I feel it does fit the narrative of the story the song is telling.)
60. The Bigger Picture - (#10) - (A fantastic song, and my favorite from the self-titled. Another song I am grateful to have seen live. I love that piano melody in the first verse, along with that amazing build-up into the chorus. There's so much I could say about what I love in this song. I'll say that JR is fantastic in this song with his patch choices and how these are used at atmosphere, like during the guitar solo.)
59. Hollow Years - (Did Not Rank) - (I am amazed I didn't rank this song. I wonder what happened when I was using the ranker. Oh well, If I had done it myself this would definitely be in the top 20. My favorite version is the one they were doing on their BC&SL tour.)
58. Outcry - (#40) - (Nothing much to say about this. I enjoy the groove of it, especially that bass work in the 2nd verse.)
57. Hell's Kitchen - (#75) - (My introduction to this song was through the end of Instrumedley. Even though it's a fantastic instrumental, I was disappointed in there being no Tubular Bells at the end of the studio, and was a bit bummed when JR didn't have Tubular Bells when they played it live. The bells added a lot to the ending for me. Great guitar by JP, which this song does lovely job of showcasing his more softer, somber style.)
56. On The Backs Of Angels - (#71) - (It was refreshing to hear this when it first came out. I still enjoy it to this day.)
55. Panic Attack - (#81) - (Fantastic song that I feel is a bit low here. I really wanted to hear and see this one played live with Mangini, but alas it's not meant to be. It's energetic, and has a certain drive to it that gives me a sense of motivation.)
54. These Walls - (#15) - (Possibly my favorite off of the Octavarium album. It's got a lovely atmosphere and great rhythm in the vocal melodies. And that keyboard echo effect in the first verse is just lovely. It's mainly the message of the lyrics that I love about this song, the music also fits that topic as well too.)
53. The Great Debate - (#33) - (I'm one of the rare few that enjoys this song for a lot of different reasons. One being how the music has this mysterious, sort of uneasy, unsurety vibe and mood. This vibe and mood fits what the lyrics are about. It is neat how the band chose to pan the lyrics on the left and right sides. I find the lyrics to fit the theme of the album dealing with struggles of humanity.)
52. Barstool Warrior - (#24) - (This is one of the top 10 MM era songs. It has lovely melodies, and the lyrics themselves tell a neat story. It was fantastic live, so I am glad I got to see it twice.)
51. Caught In A Web - (#90) - (I don't mind this song at all, it's just where the ranker placed it on my list. I didn't mind JLB lowering the vocals for the middle section since I was just happy I got to see this one live.)
50. A Nightmare To Remember - (#46) - (It's got it's good parts, but It's how the song progresses along with the lyrical narrative. Starting off the album with black clouds of thunder is a neat idea, which is like a dreaded thunderstorm happening at the accident that occurred.)
49. A View From The Top Of The World - (Did Not Rank) - (Amazingly this didn't make my list. I am coming to this song more. It message is uplifting, and the music fits that mood. I enjoyed the backing video they had for it live which really went along well with the lyrics and vibe of the song.)
47t. Lie - (Did Not Rank) - (I like the chorus to this song, and the energy it has. I also enjoy how it transitions from The Mirror.)
47t. This Dying Soul - (Did Not Rank) - (For me, this song is enhanced preceded by The Glass Prison. It's a great transition also from As I Am on the album.)
46. One Last Time - (#78) - (Even though this can be considered like a transition song, It's a good one at that. I love that bass into the guitar solo. One of the highlights of the Distant Memories tour was that transition from TDOE, and into TSCO.)
44t. Peruvian Skies - (Did Not Rank) - (I don't know why but I never really listened to this song as much. I think it's a good song that sounds better live, but I have to be in certain mood to want to listen to it. I'll still listen to it if it pops up on my shuffle.)
44t. Wait For Sleep - (#82) - (Love the piano work by Moore, he sets the mood for the lyrics to have that emotional impact. It's a really beautiful ballad.)
43. As I Am - (Did Not Rank) - (This song is fantastic live, but it's also a song that I ended up listening to a lot that I won't go out and listen to. I do like that bass intro though, and it's even better hearing that tone live.)
42. Innocence Faded - (#85) - (I got into this song more after hearing it on Score. It was one song I would usually skip when listening to Awake, but for some reason hearing it live on Score is what made me start to like it.)
41. Disappear - (#23) - (An amazing ballad that closes the first disc of 6DOIT nicely. The eerie atmosphere in the intro sets the tone perfectly for the lyrics. The verse at the end is amazing and I personally like the delivery of the backing vocals rather than the lead ones he sung live.)
40. Erotomania - (#22) - (If AMBI was one song this would be higher. On it's own, it's still an excellent instrumental. I enjoy KM's keyboard tones on this one. My favorite part has to be the middle section before they go back into the main riff.)
39. Stream Of Consciousness - (#9) - (My all time favorite DT instrumental. It's been my favorite ever since I first saw L@B, and I have been wanting to hear it live. It's one song I do hope they bust out sometime again. I am praying it'll make a comeback now that MP is back in the band. Although, it is one song I have always wanted to hear with Mangini.)
38. Another Day - (#77) - (I grew to love this song since I first heard it on the Live In Tokyo dvd. Everytime I hear it, I wish DT would add more saxophone to some of their songs. It really works on this type of song, and I wouldn't mind hearing another song with saxophone in it.)
37. At Wit's End - (#2) - (Yes, this is my 2nd favorite DT song. Once I heard that intro I knew I was gonna be in for a treat. As the song progressed, it just kept getting better. The build-up in this song is my favorite section DT has ever done. I listened to the instrumental version and I noticed how much JLB's vocals enhance that build-up. I hope they continue to play this song in the future.)
36. The Root Of All Evil - (#43) - (If Octavarium were to have had a single, this song would be it. It's perfect as is and it's a great way to start an album. Regarding the concept of Octavarium, it is neat they included the main melody of Octavarium at the end to tie it into the theme.)
35. Lifting Shadows Off A Dream - (#28) - (The bass in this song has to be some of JM's best. I also like how the guitar and keyboards set up that atmosphere of being in a dreamlike oceanic state.)
34. 6:00 - (Did Not Rank) - (I like the vocal melodies and the drum intro. It was a nice surprise to witness this song live.)
33. The Dance Of Eternity - (Did Not Rank) - (I used to be into this song a lot, but I grew to love more songs. It's still a fantastic instrumental and was also a highlight of the Distant Memories tour since it went straight into OLT.)
32. Overture 1928 - (Did Not Rank) - (It's a great instrumental and does it's job of being an overture, which nicely transitions into the story. I imagine in the story, after Nicholas gets put under hypnotism, it's his mind traversing through a tunnel of memories, and each theme are the memories. Then when it transitions into SDV, it's where his mind enters the past.)
31. Misunderstood - (#20) - (I actually do not mind the ending to this song. I like the way this song builds-up from somber and mellow, then keeps going into this insane madness.)
30. Space-Dye Vest - (#39) - (I am a bit sad that I couldn't make a date for the Along For The Ride tour, this, along with Scarred, were two songs I have always wanted to see. At least they recorded a date and It's a great rendition of the song. I think the guitar solo addition at the end adds a lot more to the song in the live setting. But I also like how the studio version ends, the studio version actually has it's own mood and vibe that is entirely KM's. )
29. Endless Sacrifice - (#41) - (I'm glad this song ranked high on this list. It's a song I have always enjoyed since watching L@B, and was pumped when they started this song.)
28. Lines In The Sand - (#30) - (This song grooves. It's a fantastic song live, and I like the live versions where they included the demo lyrics that were cut. I am a bit amazed they never brought this out while Mangini was in the band. It would've been neat to hear him groove to this one.)
27. The Mirror - (#62) - (A great precursor to the 12 step suite about looking into the mirror reflecting on your life and realizing something needs to change. My favorite section is the SDV melody that I find neat they added into this song as a sort of foreshadowing.)
26. The Spirit Carries On - (#79) - (Even though it's been overplayed, and may be the song I have seen the most, I still love it live. It is a fantastic live song, and it gets the crowd together. It's perfect for that end singalong, and was a great way to end the set for DreamSonic.)
25. Illumination Theory - (#87) - (I like the message of the song lyrics, and also the ending section. For the last tour, when I saw the time after they played AVFTTOTW, I was wondering what epic we were getting. I was hoping for Octavarium, was expecting this, I was not expecting TCOT. I like the delivery of the lyrics by James in The Pursuit of Truth, and I also like how his vocals build-up.)
24. Beyond This Life - (Did Not Rank) - (I feel this song comes across better live. I really enjoy the chorus and how it sounds ethereal. This song grooves, but it didn't rank, it was in the 110's I believe. Still, if it comes up on my shuffle, I'll jam it.)
23. Bridges In The Sky - (#47) - (The atmospheric intro sets the mood nicely for what comes next, the hard instant transition into the heavy riffs. I like the soaring chorus and the use of the echo. It was excellent live.)
22. In The Presence Of Enemies - (#19) - (There's a lot I like about this song. Parts I-III are all amazing. JLB's vocals sound good in the 2nd part, going from his lower, warm voice to his higher range. I just enjoy the way he sings certain parts.)
21. Blind Faith - (#12) - (As 6DOIT is my favorite DT album, this song is a big reason why.)
20. Surrounded - (#7) - (KM's keys are just beautiful throughout the song. i like the groove in the 2nd verse when the song picks up a bit. My favorite part is after the solo. I was jamming away when I got to see it on the I&W&B tour.)
19. Finally Free - (#6) - (JR's piano work in this is amazing. I also like his choice of patches for this, like the bells in the middle section. The One Last Time reprise fits perfectly here and it's used in a different context.)
18. Strange Deja Vu - (#53) - (This could be a little higher up, but regardless I enjoy it.)
17. Take The Time - (Did Not Rank) - (It's a good song with a good groove, but I just am not into it as much for some reason. It was great during the I&W&B tour even if JLB couldn't hit those highs.)
16. Under A Glass Moon - (Did Not Rank) - (I prefer the Score version. I like the chorus and instrumental the most from the song.)
15. The Glass Prison - (#31) - (I like the intro with the bells and the bass harmonic going along with it. The intensity goes well with the lyrics, you can feel that sense of being stuck in that prison. The outro is also great with how uplifting it sounds, then it transitions smoothly into TDS.)
14. Pull Me Under - (Did Not Rank) - (I remember listening to this when my cousin first showed me it when it played on a local radio station we were listening to. I really enjoyed it, I still do, but there are way more other songs by DT besides their hit that speak to me more. I don't mind when they play it live either, I'll still rock it out, even though I have seen it a lot.)
13. Fatal Tragedy - (#69) - (I like the additions in the Alternative versions of this song, and I like how they included some bits of it on Live Scenes. The outro is one of their best instrumental sections for me.)
12. Scarred - (#1) - (What else is there to say besides what has been said by MirrorMask. I love everything in this song, the bass intro, to how it builds and grows, the song meaning, and the ending. The added section in Breaking the Fourth Wall makes this song even better, I listen to that version more, although I do like KM's tone in the album version. This song defines Awake, and to me, it has everything I love about DT.)
11. In The Name Of God - (#59) - (Another song I got into because of L@B. That version is my go to version because I love that ending guitar solo.)