A Dramatic Turn Of Events
Really loved this one, I was obsessed with it at the time. Can't believe it's been this long since then.
Proggy, fun, dark.
One of my all-time favorite DT songs is OTBOA, man, I just LOVE the chords and melodies - everything - in this song, so much nostalgia. But there are a lot more incredible songs on this album, which I enjoyed for their epicness, and I thought JP's mirroring of some of the Images & Words songs was absolutely nerdy and somewhat profound.
James is on fire on this record.
Negatives would be that the production can be a bit weird at times, with the drums sticking out.
I also thought the album could have benefitted from the inclusion of a few more uplifting / major key songs, as the album tends to get pretty bleak - albeit of course still awesome - at times.
(08 / 10)
Dream Theater
Oh yeah, this is a weird one.
Look, I LOVE The Enemy Inside. This is a wildly underrated gem, I'd claim one of the best tracks post-Portnoy (which sounds like the collabo project of Mike Portnoy & Post Malone).
All in all, something seems to be missing, I don't really know how to put it.
The sound and production here seem to be even more of a problem than in ADTOE, but I happen to be one of the five people that actually DO like the triggered snare, both here as well as on I&W.
I guess the songwriting can become a bit confused at this point of their career and there are some less thrilling bits here and there, but most of the material is still a blast. Loved the Red Barchetta vibes of The Looking Glass, as this means I got my major key fix (shoutouts to Moving Pictures) and the melodies of the song are beautiful. Same with The Bigger Picture, and so on.
(07 / 10)
The Astonishing
Did I just call 'Dream Theater' a weird one? Hold my NOMACS.
I have a very complicated relationship with this album. My expectations were 'Metropolis 3', at first I was REALLY bummed out and kinda let down by the lack of heavyness and / or proggy playfulness (not really) or whatever you want to call it, I can't really put my finger on it.
The sequencing of the songs seemed to be off, too many ballads in close succession, the whole thing had a bit of an unbalanced appearance. But I pretty quickly came to enjoy it greatly, falling in love with the melodies, being addicted to the whole thing, listening to it all the time. James' performance was excellent, but one couldn't deny the amounts of compression and pitch correction on the vocals, even to the detriment of the record, I have to say. Also some songwriting inconsistencies again, though overall, yeah, I think it somehow succeeded.
I was still obsessed with DT but could sense something was happening.
(7 / 10)
Distance Over Time
At this point I had Distanced myself a bit from the band. More audio / production problems, increased compression and pitch correction on the vox, multiple plain autotune glitches, still not really an Astonishing drum sound.
There is something distinctly missing here for me, when it comes to songwriting and creativity, but still with a lot of great parts as well, of course.
I also felt like Mangini, while being an incredibly gifted drummer and still delivering a stellar performance, was lacking some power and dyanamics in his playing, which he succesfully adressed on View, later.
I still really enjoyed the album and listened to it quite a bit.
(6,5 / 10)
A View From The Top Of The World
This one really excited me again. The production is finally really awesome, it had that punch and warmth that the former albums had been lacking, same with Mangini's drumming. It finally fulfilled a desire I had when listening to MP era DT songs, something like the drive or force, for lack of a better term, and he really did it well.
This album also had precisely the right ratio / amounts of progginess, heaviness, melody, catchiness, musicality, rhythm and playfulness.
This time, while the issues with the (need for) overprocessing of JLB's vocals were still increasing, one could clearly hear the performance was still nothing less than phenomenal and you could tell that he had fun with it.
The autotune glitches now were omnipresent, though, and it sadly took away from the overall enjoyment of the experience.
And while the songwiting and musicianship were overall really strong on View, you could just tell by now that some of the overall creative spark of the band was in some trouble at this point, a fact that would be especially visible in some of the JP's lyrics, themes and songwriting choices.
(7,5 / 10)
The ranking would be as follows:
1. ADTOE
2. View
3. DT12
4. TA
5. D/T