What's not to love about Budokan you ask? I'll tell you. I don't love the setlist. James isn't great. JP is too shreddy. It's filmed weird in places. I don't have any of those complaints about those 2 Mangini-era DVDs.
I agree with
some of that.
Set list: All in all, I do like it. I like how heavy it was. It fit the album they were touring for and fit the tour as a whole. If I were going to nitpick, the only things I wasn't crazy about would be: (1) Hollow Years. Yeah, I know people seem to love that version for some reason. I agree that JP's solo here is better than on the album. But that doesn't elevate what is otherwise a bottom 5 DT song for me. (2) Instrumedly. I get it. It's fine. Just not interested. (3) Jordan's keyboard solo. I don't begrudge Jordan getting a solo spot. And I love his playing. But for a live release, a keyboard solo just isn't something I'm interested in revisiting. But, again, these are just nitpicks. I'm fine with the set overall, and there was a lot that was wonderful, much of which has already been discussed (but I will also give a shout out to SOC and ITNOG). In retrospect, with them deciding to play SDOIT as an entire song on Score, the inclusions of parts of it also seemed superfluous here. But in context of this particular set, they did work well.
James: He sounded a little shaky at times, and the band had mentioned that they were ALL exhausted due to the scheduling, which had a bigger impact on James as singer than anyone else. But that said, he was still pretty solid overall. No real complaints. I've always been bummed that he flubbed the lyrics on such an emotional song as Disappear. But given the exhaustion factor and the fact that it wasn't in the set for any other shows and hadn't had the muscle memory that other songs had, it's understandable.
JP being shreddy: Eh, yeah, but so what? It was their all out metal tour.
Filmed weird in places: Yeah, I'll give you that. But I didn't find it distracting except in one or two spots. And a lot of concert videos have similar issues when you take into account an entire show.
All that said, while this isn't my favorite release, it's still really, really good. I haven't revisited it in awhile, but really should. I played it a LOT for a long time. Just as TOT and Octavarium were nice contrasts to one another and made for a great back-to-back listen, I often did the same with L@B and Score.
Some of the things I liked that haven't been discussed a lot: The pair of FII songs right in the middle were really, really good. As was the overlooked OAMOT, which shot up in popularity for me as a result of this recording.