Can't complain about another 8! Glad you enjoyed it.
Final opinion: OK so you’ve somehow found a group that produces more music than King Gizzard. And not just more, but a lot more (11-12 full-length albums a year, in the years they’ve been actively producing music anyway - 46 albums in total so far). I’ve no idea how varied their stuff is from album to album and whether it gets samey after a while, all I have to go on is these three songs all from the same release.
Well, I haven't even listened to half their discography, and probably won't ever with the rate it's expanding, but I can say they do have a lot of variety. It helps that the three members hardly ever collaborate on the same release (there's only two albums that have all three of them), and since each member has their own influences and strengths, it's kinda like having three different artists rolled into one. I was originally considering sending one song by each member, but even if I did that I wouldn't be able to give you a complete picture of all the styles they've covered in a mere 20 minutes, so I instead chose to double-down on what's easily my favorite of their albums.
Keith Rankin is the one behind
Transcendence Bot, and while he's on the least number of albums, he's many fans' favorite. I think he has the best sense of melody out of everyone, and his albums are usually pretty short but very well put together, with great flow and very little filler. His album before
Transcendence Bot was
Faith In Persona, which I don't enjoy nearly as much but is one of their most popular releases (it's the only mixtape club album on streaming services, too!). It's probably the closest sounding album to
Transcendence Bot, but it's definitely poppier and has more of an emphasis on the manipulated vocal samples, so if you didn't really like those it might not be the album for you. There's also
GenoMods from this year, which is a throwback to 16-bit Sega Genesis video game soundtracks, and it goes surprisingly hard.
Tech Honors probably has the most distinct style of the three members, largely because recently he's mostly ditched the vaporwave sound from earlier in the band's discography and now instead mostly creates more synthpop-oriented albums, complete with vocals. I find some of his albums to be a bit inconsistent, but he's responsible for some of the best songs in the discography. Dude knows how to write a fuckin' banger when he needs to. He's also got a lot of more spaced out, atmospheric, and piano-driven music. My favorite album of his is definitely
Midnight Tangerine - it's a lovely atmospheric synthpop album.
James Webster is the member I'm probably the least familiar with, but he seems to focus on V I B E S more than the other two members, and he's probably the best at creating really evocative, detailed soundscapes. His album
Monument To The Architect is a great showcase of this - it's super trippy, chill, and interesting. There's also
I'll Try Living Like This which he made with Keith. It's the group's most famous album, and I definitely understand why. It's a very weird and experimental album, kind of a rough listen at first, but it's really rewarding with how detailed and creative the production is and how thick its dystopian atmosphere is.
Anyways, you'd probably want to start by listening to the rest of
Transcendence Bot, which is thankfully
on YouTube! If you want to buy it, the only way to do so is to sign up for their mixtape club on Bandcamp for $7 a month. That might sound bad at first, until you realize you can cancel it whenever and being in the club gives you a free download of literally all their albums except one, so if you wanted you could get 40+ albums for just seven bucks.
I signed up to download
Transcendence Bot and figured I'd grab a handful of their albums and maybe cancel after a month or two... I've now checked out more than just a few and I'm still happily paying monthly.
If you do end up going that route, you thankfully have some recommendations above for which albums to download first!