08 Even Less (my ranking: 4)
I just barely missed being the high-rank on this one, and it sets a new record for the group, appearing on 20 of 22 lists.
So, which version am I reviewing? I guess the answer is both. I treat Stupid Dream / Lightbulb Sun / Recordings as a trilogy of albums. When I listen to them, I usually do it one after the other -- maybe over the course of three days. Even Less acts as the bookends -- the short version as the introduction, and the full version as the huge dramatic F-bombed conclusion. Throw in Oceans Have No Memory as the cool-down over the end credits.
And yeah, Recordings isn't a real album, but the song quality is good enough -- and the sequencing flows well enough -- that I treat it as one.
Since I'm fairly certain our countdown is done with this run of albums, I can say that I ranked 8 songs from Stupid Dream, 5 from Lightbulb Sun, and 5 from Recordings if you double-count Even Less.
As for Even Less itself? My favorite part is near the end of the short version -- the heavy riffing in D, combined with the huge snare hits that come in at different parts of the count. But really, the whole song is amazing. The bleak resignation in the lyrics, the main riff (and the extra guitar line they add on top of it), the solo at the end over the quiet bit. And the counting. Zero Zero Nine Six!
07 Heartattack in a Layby (my ranking: N/R)
Well, this might be my last "song I just don't get the love for" on the countdown. It's pretty, the vocal harmonies at the end are beautiful, but the song just doesn't really do anything. And I kinda need my songs to do things. I don't hate it -- in fact it's probably my favorite song on the final segment of In Absentia. But I couldn't rank it.
06 Buying New Soul (my ranking: 2 -- high rank)
Everything Steven ever learned about depressing downbeat balladry, he perfected on this amazing song. If Even Less has lyrics that are bleak, Buying New Soul goes even further. The imagery of the line "I still wave at the dots on the shore" makes it one of my favorite lyrics in any song, by any band.
Musically, it's some of the nicest chord progressions Steven's come up with, and the huge build-up in the middle section adds some tension and intensity before the final verse kicks in.
And yeah, that thing Richard came up with at the beginning and the end of the song? It's brilliant. Steven doesn't get all the credit here -- the whole band deserves it.
I love the musical motif enough that I even ranked "Untitled" near the bottom of my Top 50!
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My #1 and #6 are still alive ... but my #10, and a bunch of others down from there, are toast.