11 Deadwing (my ranking: 18)Kind of pleasantly surprised to see this one so high, even if it's above my own ranking. The main chord progression in the verse, simple as it is, might be one of my favorites by the band. The beat on this song just keeps it driving forward. I also saw it live on the first leg of the Deadwing tour, which was great -- they never pulled it out again, as far as I recall, because Gavin said it's actually a difficult/tiring song to play live.
10 Russia On Ice (my ranking: 9)Late in high school, I gave a copy of Lightbulb Sun to a girl I was friends with. She was not a prog fan at all, and even made fun of my musical tastes, but somehow she fell in love with the majority of this album.
The one song she claimed she
never was able to understand was this one.
I really like the way this song defies expectations. You start out with an above-average depressing ballad (not exactly new ground for the band, admittedly) and then end with ... well, how do you even explain that second half? Take a classic Colin bass line, a really bizarre tri-tone riff from Steven, and build upon it for several minutes. Then, let Chris go absolutely F'n nuts at the end. The way that final explosive part is produced is so good. All the noise, all the reverb. It's almost frightening. Some great soundscapes from Richard to top it off and run into the album's closing track, too.
I do think this song is maybe just a half step below Hatesong, which I think is a little tighter in the arrangement. I had Hatesong at #3, and this one at #9.
09 Lazarus (my ranking: N/R)Yet another song that SW clearly loves that I simply do not. As saccharine a ballad as he ever wrote. The piano line in the chorus does not do it for me at all, nor does this song in general.
Through 42 songs, I've only been the high-ranker for one (What Happens Now?). With eight songs to go, I'm pretty certain I've got seven of them pegged, and my top 2 are still alive.