A NIGHT AT THE OPERAReleased:UK, November 21, 1975 (EMI), USA, December 2, 1975 (Elektra)
Charts: UK #1 for four weeks (charted 44 weeks, again in ’77 and ’84); USA #4 (47 weeks, again in ’77 and 2018)
Australia #1, Netherlands #1, New Zealand #1, Canada #2, Norway #4, West Germany #5,Austria #9, Japan #9; Sweden #10, France #16.
2007 Portugal #23
2012 Spain #55
2018-19 Italy #33, USA #41, Belgium #59, Switzerland #69, Ireland #86
Certifications: Platinum in UK, 3x Platinum in USA
Gold in Austria, Denmark and Finland.
Platinum in Argentina, Canada, West Germany, Italy, and Japan
2x Platinum in Poland
Singles:
‘Bohemian Rhapsody’ / ‘I’m In Love With My Car’ (already mentioned)
‘You’re My Best Friend’ / ‘’39 UK, March 3, 1976 (#7) Certified Gold; USA, May 22, 1976 (#16) Certified Platinum. Canada #2, Ireland #3, Netherlands #6, Belgium #27, Australia #35
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In the UK, after the release of 'A Night at the Opera', 'Queen I' charted for the third time, for twelve weeks, reaching #24. 'Queen II' charted for the fourth time, for 13 weeks, reaching #23. 'Sheer Heart Attack' recharted for 19 weeks, reaching #12
Cast
Freddie Mercury: vocals, vocals, Bechstein Debauchery and more vocals.
Brian May: guitars and orchestral backdrops.
Roger Taylor: percussion.
John Deacon: electric bass.
Produced by Roy Thomas Baker and Queen
Engineered by Mike Stone
No Synthesisers!
Recorded: August - November 1975 at Sarm Studios, Olympic Studios, Scorpio Studios, Lansdowne Studios, Roundhouse Studios, London; Rockfield Studios, Monmouth. (God Save The Queen recorded July - October 1974 at Wessex Studios.)
SIDE ONE
Death on Two Legs (Dedicated to...) (Mercury) 3:43
Lazing on a Sunday Afternoon (Mercury) 1:08
I'm in Love with My Car (Taylor) 3:05
You're My Best Friend (Deacon) 2:50
'39 (May) 3:30
Sweet Lady (4:01)
Seaside Rendezvous (Mercury) 2:13
SIDE TWO
The Prophet's Song (May) 8:21
Love of My Life (Mercury) 3:38
Good Company (May) 3:26
Bohemian Rhapsody (Mercury) 5:55
God Save the Queen (traditional, arr. May) 1:11
2011 Universal bonus disc
Keep Yourself Alive (long-lost retake, July 1975) / Bohemian Rhapsody (operatic section a cappella mix) / You're My Best Friend (isolated backing track mix) / I'm In Love With My Car (guitar & vocal mix) / '39 (live version, Earl’s Court, June 1977) / Love Of My Life (live single edit, 1979)
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Fair bonus offerings, as there wasn’t much available as to demo tapes of the songs at full length. Backing tapes of ‘People of the Earth’ and the demo of ‘Sweet Lady’ could have been used. I certainly would have included any number of ’77 live versions of ‘Bohemian Rhapsody’ in its complete form, along with ‘Sweet Lady’. The ‘Keep Yourself Alive’ version was to be for the 1975 summer release, but another version was used. That release also included ‘Lily of the Valley’ and the original 1974 studio version of ‘God Save The Queen’.
From the colorized band logo on the sleeve (created by Freddie), to the elegant font of the lyrics on the inner gate sleeve, to the music itself, this is a work of pop music art. From the piano fade in to ending notes of the royal anthem, this is as eclectic of an album that one could expect, even after their prior two albums. Rock, vaudeville, burlesque, jazz, pop...you name it, it's hear. Even a harp (the only tie in to The Marx Brothers movie that I could find). Brian and Roger get their chances at LVs again as changes of pace. Both shine equally in those roles as well as on various strings and percussion. John's subtle bass is consistent as always, and his second writing credit goes gold. Side One is for fun, Side Two is hard to top. And that's before 'Bohemian Rhapsody'! Before getting too wordy, I'll just refer you to
https://en.wikipedia.org/wiki/A_Night_at_the_Opera_(Queen_album)
‘A Night at the Opera’ once again used 'Sgt. Pepper' and 'The White Album' as a blueprint as to having little to no time between songs. As for me, all those years of seeing various musicians of all genres on Ed Sullivan, Carol Burnett, Johnny Carson et al certainly allowed me to enjoy this eclectic offering, as did my new turntable and decent set of head phones.
Oddities: On the official cassettes, ’Seaside Rendevous’ and ‘Good Company’ were switched (
) Also, since Queen had changed record companies from Elektra to Capitol Records in the 80s on this side of the pond, the only way to purchase the first seven albums on CDs was to order them via imports (which I did). The original EMI CD had the ending piccolo from ‘Good Company’ as the start of ‘Bohemian Rhapsody’, causing some to wonder if that was the original intent all along. Just sloppy editing (as would happen too often with their 'quality' control).
Oh, and this album also manages to find its way onto their 'Mount Rushmore' of album releases.