My general evaluations, all subjective:
> After a few 5 or 10 listens, this album started to grow. I really like it now, very diverse and interesting. I like that every song has memorable vocal hooks. Although true that there is no F# or whatever in this album, I like JLB work, he is good throughout.
> I enjoyed the (relative) focus on rhythmic elements. I used to greatly enjoy (I still do, but I also used to) MP drumming for its style and energy and complications, but this is even better. I'm very happy MM filled this album with Mangini-isms. [People complain he overplayed; to my taste, if I had to choose less or more, I would prefer he played even more.]
> The only song which is below the others is Invisible Monster. I think it would fit 100% in an album I like less, like Systematic Chaos, or even ADTOE or DT12. Sadly, the chorus sticks to one's mind like a bad pop song. Still, it has good riffs and some good moments.
> There are two vocal lines I don't like much: the first, flat verse of The Alien (I imagine the idea is that it simulated an audio transmission in space, but either way), and the "You're never more alive" verse in AVFTTOTW, which doesn't fit with the rhythm.
> Lyrically solid, except the "ticking bomb"-"ticking clock" repetition across SG and TT. On the other hand, I enjoyed the thematic connection of ATM and AVFTTOTW.
> I tried to understand why people have complained on TT's solo being out of place. However, any time I would set oout to listen to the song, I would get distracted, and realize that the song ended and I had forgotten to pay attention to the solo! After a very conscious effort, I think it is a very good, and very fitting solo. I like Dream Theater because of the breadth of the songs, the full amplitude they reach, so I enjoyed such variety in TT.
> This album might not have "extremely memorable" solos (a subjective category), such as the Razor Edge's solo or the one in TBOT. On the other hand, they are good in general.
> I've read complaints on the "chugga-chuggas" in many songs. Since they typically happen in the first verse only, and I enjoy a good chugga-chugga (and each one is good), I think they are appropriate and help build the instrumentation.
> No ballad was needed. To my taste, there were enough soft moments to balance the whole.
> In numbers (rounding up when in doubt):
TA: 9/10
ATC: 10/10 (the best song)
IM: 7/10
SG: 8/10
TT: 9/10
ATM: 10/10
AVFTTOTW: 10/10