That might be because it's a demo from 2006, recorded during the Fear of a Blank Planet sessions.
That should explain why I like the song.
Does anyone else feel like Steven Wilson is just frustrated after all these years, and wants to crack the mainstream, but won't just come out and say it!
I think it's fairly well documented that he has voiced his opinions on bands that have been huge sellers. To me there always feels like there is a bitter edge there. Or a sly dig at big selling bands. I think he's just too cool to come out and say "yes, I'd like to sell as many albums, and reach as many people as Coldplay or Radiohead. I am equally, if not more talented than them and the public need to realise this."
To me, at this point, every interview I read about the sound of the new album and the direction he's moved as an artist, just feels fake. It just sounds like he's trying to justify the style of music he is playing, in a credible way that is also like a social commentary. Like, just fess up and say, "This style is what's popular and I want to be more popular so that's why the album sounds this way".
I'd have more respect for him then I think. The whole promotion of the new album has just turned me off and left a bit of a sour taste in my mouth. I might be off base but it's just how the whole thing comes across to me and I can't shake it. Anyone else?
All that said, the new album is alright and I'll give it a few more listens.
I totally agree on this. Something just feels a little bit off this time for me, and it's definitely NOT the fact that he chose to go in a more electronic or pop direction. I know he loves electronic music and I love it as well. Got no problems with good pop music either.
But the way he dives into electronics here just doesn't feel that exciting to me. Sure,
King Ghost is well done, I like the synth patterns and together with the excellent video it's a worthy addition to the SW discography. But I was actually hoping he'd go way more experimental with electronics, a bit more like in the album closer
Count of Unease. That's actually the only song on the entire record that really made me feel something.. I think.
I don't know, it does feel like an older guy trying to be contemporary, and that's never a good thing in my mind.
Follower has this annoying Taylor Swift-like chorus, and everything about the album just SCREAMS (all caps..) that it's all so 'slick' and edgy. That might be, and I cannot help but to be reminded of Prince, Bowie or Gabriel in a lot of these songs. Only the songs aren't as good and SW just doesn't have that sort of appeal IMO.
By stripping away so much, all that remains is a pop record that comes across as very cold and calculated (which was probably intended, given the subject matter). Still, that results in me not getting any warm feelings for it.
To The Bone was already a bit lighter than what came before in his solo discography, but to me it still had SW's magic all over it.. I guess I'm also missing some epicness from the music on
The Future Bites. Where are the climaxes? I love climaxes.
Sorry to be so negative, and SW doesn't owe anyone anything, he can do what he wants and the music is still much better than a LOT of stuff out there. Just trying to make sense of my feelings on the record and sharing them.
Oh and WTF @ him saying that 'there's nothing left to say with the electric guitar anymore'. What a load of BS. Apparently, he himself has nothing to say with electric guitar anymore.. speak for yourself SW. A statement like this might have been appropriate if this album was amazing, but it's certainly no Kid A. AFAIC, there's more real emotion in
Refuge's guitar solo than on most places on this record.
I'll rank as well:
1. Insurgentes
2. Hand. Cannot. Erase.
3. The Raven That Refused to Sing
4. To The Bone
5. Grace for Drowning
6. The Future Bites