Gregg, I wanted to talk about a couple of points.
I will get back to the Moore albums some day. I need to clear my head of the notion of "that ain't UFO" and just listen to it for what it is.
I think Vinnie Moore joining the band brought all sorts of false expectations. I thought it was totally gonna metal/rock, and it doesn't. You thought, I think, that it would just be shreddy, and it's not even close to that.
If you subscribe to "It ain't Schenker, it ain't UFO", I can understand that. But It's Phil Mogg, Andy Parker, Pete Way (on 2 albums) and Paul Raymond. It's really just a change in guitarist when you think about it. Don't be fooled by You Are Here. The Vinnie Era is totally dialed back. And you know what? It's nice music.
As for Schenker's solo career, yeah, I'm just not interested. I love the man's playing, but in my opinion, his bands are a complete mess. I'm guessing his personality is primarily the issue. He appears to be one of those people who are so fearful of success that they constantly self-sabotage. I mean, a page or so ago, y'all were raving about a new song from him so I clicked the link. Honestly, and this is as nice as I can say it, I have no idea why you folks called that good music. For me, Schenker is such a shadow of himself that it makes me sad to see him, really. It's not funny anymore.
His solo career is definitely a minefield, as are most bands' discographies. He talked about using various members in an interview I had seen, and he mentioned it really came down to money. They don't share in the songwriting and are in most cases touring musicians. Michael beats to his own drum for sure, and if he wants to do an acoustic album, well, there goes the current band.
What's amazing about him is that he has never stopped writing and recording music. Not everything is great, but he's been quite prolific. Also, 2013's Bridge The Gap and 2015's Spirit On A Mission are literally two of his best albums in his entire solo career.
I saw him 2 years ago and he played THIRTY songs. No short versions, no medleys. Thirty tracks. He still pushes himself, especially in the Rock Bottom solo section which has been twice as long as the classic version, but all killer.
I'm a little cautious about the new album. Michael Voss sings on a number of tracks and he fucking blows. I think you mentioned Drilled To Kill. Yeah, it's a bit campy, but a speedy double bass power metal track is practically non existent in his catalog. So I give him props for writing a song in that vain.
I don't think he's a shadow of himself at all. Maybe during the Be Aware Of Scorpions or Arachnophobiac Era, but not now.
Plus, he's 65!