My silver vinyl finally arrived from the official Coldplay shop and I can't tell you guys how much this format changed the way I listen to and feel about this album!
First of all, the vinyl sounds great, no crackling, and a warm, not overproduced and organic sound.
I usually have a problem with albums that are just those two or three minutes too long to fit on one LP (or they would fit, but song lengths don't allow it), so they have to be separated and put on two. I'm talking about albums like Vector (Haken), Storm Corrosion (Storm Corrosion), Fear Of A Blank Planet (Porcupine Tree), A Moon Shaped Pool (Radiohead), Western Stars (Bruce Springsteen). Or sometimes, they are just put on two LPs for no apparent reason, like the last Coldplay album or Meteora (Linkin Park). It's something different if the album is 70-80 minutes long. But a 50 mins album on two LPs you have to turn around roughly every 12 minutes. There's just something satisfying about albums that are able to pack all their greatness onto just one LP - like all Tim Bowness albums, Lana Del Rey's Born To Die, all Katie Melua albums, A Scarcity Of Miracles by that King Crimson Projekct - or Coldplay's Parachtes, Viva La Vida or A Rush Of Bood. It means they either have been written for this format or at least are a perfect fit for this format.
It's completely different with Everyday Life. I was kind of disappointed when I heard that the album would only be 53 minutes long, although it was announced as a double album and it has 16 songs. But the separation into those two "half albums" Sunrise and Sunset totally makes sense. This really feels like a double album, and it actually is if you listen to it on vinyl. And the length doesn't matter anymore (not that it should matter - just talking about my personal weirdness here), because there are so many beautiful ideas packed into these 53 minutes.
Anyway, if found a lot more small details on this record listening to it during the last two hours. Some songs that didn't make sense to me or to which I didn't pay attention much now do make sense. I'm talking about the small interludes, instrumentals, spoken word snippets, mobile phone recordings or even "real songs" like Cry Cry Cry and BrokEn. The whole album flows very well and I am starting to love it. I liked it before, but my appreciation is getting bigger with every listen.