I can't speak for anyone else, but while I referenced TA as having Disney-ish parts and did not mean that in a positive way, that doesn't mean I have that attitude of "this part sounds cinematic, and I am not a fan, so I will say it sounds like Disney as a way of demeaning it."
I described parts of TA that way for the same reason that most people would say that Peruvian Skies resembles Pink Floyd meets Metallica. Why? Because the sound of that song resembles those two bands. In the same way, parts of TA and the SDoIT Overture resemble Disney-style music, plain and simple. It has nothing to do with my personal opinion of it. That said, the fact that I don't like that particular style in DT's music, and I'd wager plenty of other fans too, is why I brought it up as a negative.
And for the record, I don't have a problem with DT sounding cinematic - as mentioned in that thread talking about favorites strictly from the MM-era, I cited both the Dystopian Overture and the False Awakening Suite as honorable mentions of songs I liked, and I would classify both definitely as cinematic. In fact Dystopian Overture does have an overtly Disney-ish part from 2:57 to 3:25, which I wish were orchestrated differently, but it doesn't seem to bother me as much as it does in other parts of the album.