Although above I stated my preference for dynamic range, and I stand by that, I'm also savvy enough to tweak the dynamic range to my liking. So I can take my MP3s, the most dynamic music I have, and put a limiter on it if I wanted to. Why would I do that? Well, mostly for travel, if I have to be on a loud bus or train, I want to be able to hear all the parts. But not everyone has that luxury, not everyone knows how to edit audio files and compress them properly, or things like that. And even if they knew how, they wouldn't be able to with streaming services anyway. The fact is, they mentioned that they... Well, Jimmy T, said that he wanted an album that would sound optimal on the biggest amount of formats, including different types of headphones, streaming, varied bit rates, etc. The thing is, to find the best middle ground for all of those things, I think it's inevitable that the absolute purest of audiophile formats would have to take a bit of a sacrifice.
When you are an audiophile, you can easily say, "How could they take such wonderful music and compress it so much? It's criminal," but the simple truth is that the vast majority of music consumers are not audiophiles, and Dream Theater caters to more than just a hardcore niche demographic. Funny enough, they just posted on Facebook, proclaiming that Distance Over Time got over 10 million streams on Spotify. They're obviously excited by this figure, and it does prove that a lot of people listen to them on Spotify, for better or for worse. The bottom line is, they are a commercial band and they're catering to a larger demographic than just people with big, expensive hi-fi systems, studio monitors, and headphones.
I think the fact that they're releasing their music on vinyl, and in several other formats on the Blu-Ray is proof that they do want to appease the demographic that really cares about dynamics and sound quality, but the album itself, its standard master that appears on the CD and on streaming and download services, that's for the common consumer and it has to accommodate people who are going to be streaming it on their smartphone, while traversing noisy places. All I'm saying is that the way it's been mastered, I think, is completely justified based on that reasoning.