And here we go.
Round 7 Results:
TAC: Michael KiskeHere’s the main cheater of the round. I mean, to send me something Michael Kiske fronted and get away with it is worth a lot, but it’s Tim after all, he probably has some Kiske-related albums I’m not even aware of. I knew Kiske had some solo albums, but for some reason I never bothered to check them out. I was wrong.
Michael Kiske – New HorizonsI thought Kiske wrote his solo records to step away from power / heavy metal but apparently this isn’t exactly true, because I can easily see this track being on Keepers or on some Gamma Ray album. The fact Kai Hansen and Adrian Smith co-wrote this track with Kiske isn’t a big surprise, in fact it’s kind of obvious after one listen. I mean, catchy guitar work, catchy verses, catchy chorus, all enveloped into a nice power metal package with trademark Michael’s vocals. I certainly didn’t expect anything like that; I thought this album would be more like mellow rock songs or something.
While this song doesn’t have many remarkable parts, the moment where Kiske goes into a high-note scream on the background (during the last chorus) stood out to me. I’ve missed it the first time and when I discovered it on the subsequent listens, I was like “whoa, here he goes with that unbelievable thing again”. I love his voice. It’s incredible.
Overall, this was a very solid song without any absolutely awesome flair, but still, very nice power metal.
8.5/10
Michael Kiske – Do I Remember A Life?If there was ever a song that lived up to its respective album name that much in this roulette, this is the one. In fact, I think the album’s name is a perfect fit for Kiske’s voice overall, if I had to pick one word to describe it, “clarity” seems like a damn good choice. His voice is always so clear.
I probably should heavily revise my expectations for this album, because this song also wasn’t what I expected from Kiske solo album.

This is a wonderful acoustic ballad with an epic and grandiloquent touch to it, and as you said, it’s very reflective too. It’s definitely an extraordinary track that goes away from the traditional forms of songwriting (especially if you consider it was released in 1996), featuring excellent vocal melodies and some tight acoustic playing, especially on the choruses.
Then there’s some unexpectedly heavy (for this song) electric guitar transition to the second part, which I think I like slightly less than the first one – I think they got the buildup right but the payoff was somewhat off… and then the quiet piano part compensates it. You said I shouldn’t bail on that last part, and I wasn’t even going to. I loved it from the very first listen; it’s one of the best parts of the song as far as I’m concerned.
I think this was my favourite song of the round. Nice one, and this should definitely gain you some ground before the EP round.
9.5/10Well, what can I say? I’ll listen to this album. It’s Kiske after all.
Total score for the round: 18/20bl5150: AlmanacI’ve never heard of this band before, but your description made it sound like they were very awesome. I don’t quite agree, but I definitely think they’re capable of writing some great material. You weren’t among the risk-takers, but at least you didn’t cheat too!
Almanac – Self-Blinded EyesLet me begin with the statement that this song is great. It has a few standouts I’m going to list here now. First of all, the orchestra (I assume from your message it’s the real one), it sounds great and adds a lot to atmosphere of this song. It’s obvious this song was written with the orchestration in mind, and it works big time. I also think two vocalists are quite discernible, and they add a certain flavour to this song, I like how their voices alternate here. They also got the great melodies here, cool anthemic chorus and intense verses. Oh, and the oriental instrumentation throughout the intro and the solo is curious and adds to the atmosphere just fine. (We’ll get to the guitar solos in the second write-up.)
I don’t think there is anything I dislike about this song, actually. It’s a great tune all around, proper heavy / power metal as I like it. It lacks something to elevate it to truly amazing – I’m not going to rate it 10/10 like you did, but I think this is a fantastic song… and certainly the best out of the two.
9/10
Almanac – Darkness / Hands Are TiedThis song definitely had to have an instrumental intro. The instances like this one are why I allowed sending those and why I count such sequences as one song. It really adds to the atmosphere and since it has the actual chorus melody in it, it was a must. I’m going to kind of echo Dave here; I don’t see how you can listen to Hands Are Tied without Darkness.
It’s interesting how the best part of this tune comes first in the very beginning. I’m talking about the
“Can’t you see it? Can’t you be heard? Can’t you see it?” section. The intensity is palpable here, and the verses are built up on it too, but the chorus is too anthemic here, and for me it somewhat ruins the pace of this track. Unlike Sunburst – Out of the World, I would’ve preferred this track to stay fast, intense and heavy, not going into the hymn on the chorus.
So I basically liked some of the track and didn’t really like the choruses (which are a big deal for me), but what finally pushed me to give this song a better score is the guitar solo. The solo on Self-Blinded Eyes felt a bit too short, but this one is indeed better, and while I don’t know shit about soloing, this certainly sounds much more progressive than the rest of the song. I indeed seriously loved this solo.
So, well, all in all I think this song warrants a good score.
8.5/10This album is definitely on my radar now. Cool stuff.
Total score for the round: 17.5/20Big Hath: SunburstWell, I kind of consider this cheating (although not to a great extent), since I liked Black Fate and I somewhat liked The Chronicles Project. It was a safe bet to say I’ll like the vocals on this one, but the vocals don’t make the song, so all the other arrangements and songwriting still had to be good. Also, how many projects is this guy involved in?
Sunburst – Out of the WorldThis song is a wonder in a sense I’m absolutely in love with some moments and I feel some of the parts aren’t for me at all. I don’t mean to sound like a pussy, but the instrumental parts here might just be a bit too heavy for me. The ever-present pounding guitar riff is grating on my ears. I also feel this song is way too busy instrumental-wise, even when it’s uncalled for. There’s always the fast stuff happening, be that the guitar riff, or layered keyboards, or both. The result is it’s a bit tiresome to listen to this tune. I wish they took a break somewhere, but no, the instrumental part in the middle is heavier than ever, and overall this song is just so relentless it’s bordering on being unenjoyable.
But for all this critique, this song features some awesome vocal melodies and the vocals themselves are brilliant. This guy really sounds like Khan, and there are some excellent moments in this tune indeed, especially that vocal melodies in the chorus, love them, one of the best melodies in this round. That hook on
“this world is tearing me apart” is beyond fantastic, and the rest is very good too.
I feel I might’ve been too harsh on this song in the first paragraph, because I really enjoyed it anyway… I just think it had a potential to be 9.5, but instead it’s in the Brent’s ranking zone.
8/10
Sunburst – Remedy of My HeartI know I’ve made Khan comparisons before, but hell, this is like Memento Mori rewritten, especially with the beautiful, longing quiet intro / outro with those haunting and peaceful vocals. Only the band isn’t Kamelot and this isn’t as good as Memento Mori. It’s not something to be ashamed of – few songs are as good as that one – and this is still a great tune.
Despite being twelve minutes in length, this song feels less busy than Out of the World, and that makes it easier on the ears, which is a big advantage. It also has a grand symphonic epic feel, as opposed to Out of the World, which was expected I suppose. This tune has more pronounced and memorable riffs, less frantic pace and overall I think it’s more well-written, even if it’s somewhat sprawling due to its length. It doesn’t have that incredible payoff moment like Memento Mori (
“So subservient in your embrace”) – it does have the payoff moment with
“Let me remain forever” with the following guitar solo, but it’s just not Memento Mori-level incredible – and after that it, uh, has something suspiciously sounding like growls in the end. Now that was uncalled for!
9/10That Khan guy is definitely on my radar now, and I think you have a good position for an EP round. You’re sending some very strong songs so far, hopefully you’ll keep it up with your EP!
Total score for the round: 17/20wolfking: Mind KeyAs expected, I’ve never heard about this band, but since they were an Italian prog metal band I was naturally apprehensive. But it turns out they have more balls and more personality than the bands like Kaledon, Wind Rose, (apparently) DGM and Soul Secret, so I thought this was a great entry overall.
Mind Key – Sunset HighwayFirst of the things that stood out to me were the vocals. I really liked the singer here, and he was one of the big reasons I awarded the decent amount of points to this song, he sounds nice with both clean and raspy vocals. I enjoyed the heaviness, I think they’ve got just the right amount of it too; and the usage of keyboards (and perhaps piano too?) was excellent, especially liked those small touches on the verses when the singer applies his clean voice, and of course the short breakdown to the piano part in the middle.
Overall this was quite a solid progressive metal song, not too generic and quite enjoyable. Heavy riffs, noticeable keyboards, capable singer, cool songwriting… everything here was good. Not great, but good indeed.
8/10
Mind Key – Graveheart I suspect this is somewhat of the title track on this album? It certainly has that feeling, being heavier, more epic. Feels much more serious too.
I realized this band reminds me of Evergrey a lot, Tom Englund on the guest vocals or not. Well, they’re not quite on the Borealis level of Evergreyness, but still, they just have the same heavy crushing guitar sound, and the other elements are there too. Of course, when Tom Englund is at the mic in the second verse, they sound too much like Evergrey (and I thought that
“Come on come on come on!” part was kinda hilarious). And they have the exact same problem Evergrey does, while I enjoy their songs, I struggle to write anything meaningful about them. Really solid, yep, good chorus, yep, and, uh, that’s it. There also might be a problem your write-ups were the last I had to do, so I might’ve run out of inspiration. Who knows.
Still, I think this song is even better than Sunset Highway (except the short growl-like parts), so that was definitely a good pick. Also, I assume this is a concept album? Because the ending here is very unusual. It makes me want to resort to violence alright.
8.5/10It seems like you guys finally found the Italian progressive metal band that is up my alley! Will definitely check out these guys further, but since I already have Evergrey and Borealis, I don’t think I’ll be returning to them often. Anyway, two solid songs right here. I think you’ll probably lose your leadership anyway, but you’re in a very good position before the EP round.
Total score for the round: 16.5/20lonestar: TesseracTI bet a lot of people who’s following this thread were waiting for this band. Obviously, one certain advantage of these two songs is that I can outright say it’s djent and no one will give me the
“idiot, it’s not djent, it’s progressive metal with a heavy edge and polyrhythms / mathcore with downtuned guitars / folky black metal with a guitarist who likes to hit the strings in random moments” kind of looks. However, this isn’t the only advantage of the tracks you sent me in this round.
TesseracT – DystopiaI said I won’t rank the flow in this round, yet you still decided to send me two consecutive songs from the album, this one is flowing seamlessly into the other one. I wonder if you would’ve done better with sending something else instead of this track (maybe Tourniquet or something from another album entirely?), because this track is just unimpressive. Well, when you consider this is actually djent, it’s not that bad, but this track is just falls on the unmemorable side for me.
My least favourite thing about this track isn’t the weird guitar rhythms, it’s the vocals. Either they’re overproduced and sound too modern and too muddy or he just sings this way on this song. Either way, the vocals here were a huge drawback. The weird guitar rhythms still bothered me, not too much but I don’t think they’re enjoyable either.
Now, there were some good parts about this song, the calm break in particular and the way the vocals are building up before it, but that’s about it, and for the six minutes in length, this just isn’t enough. I wish they did something spectacular after the calm break, but we get some dull section with very ordinary (and still not-pleasantly-sounding vocals) instead. I don’t think this track stands up on its own at all. It kind of works as a drawn out introduction to the Hexes, but that’s a huge stretch. I like how the calm part at the ends flows into the next song though.
6/10
TesseracT – HexesNow that’s another beast entirely. It takes all the good things (and even the not-so-good things) Dystopia featured and turns them into awesomeness mostly, making them work just perfectly in context. Actually, this tune doesn’t even feel like djent – more like some experimental progressive metal – and I guess djent can be essentially called that.
So, yeah. The calm parts I liked in Dystopia? Hexes is one huge calm part despite the occasional bursts of heaviness, and it appeals to me a lot. The weird rhythms? They’ve turned into a groovy bassline on this one. The overproduced vocals? I feel they’re clearer on this song, and even if there are some effects, they work. Besides, this song offers me the payoffs to the buildups it features – the serene section in the beginning explodes with that amazing
“History hexes us” line, and we have another intense part in the end with
“Don’t you dare!”. I felt Dystopia lacked direction and focus, and this song has all of it, while being somewhat in my comfort zone musically. This is the kind of djent I can definitely get into.
8.5/10I’m still not convinced about going to their live gig, even after rating one song 8.5 I’m leaning towards not going. If there’s something else you can send me that will persuade me, I’m ready to give it another chance. Anyway, I suspect this round will kill your chances of winning this roulette because of Dystopia score, but you still have a chance to introduce me to more awesome music in the EP round.
Total score for the round: 14.5/20senecadawg2: Neil YoungThis was one of those artists I’ve heard of, but I had no idea what to expect. That was probably for the better, I like going clear into some artist’s discography, and in case I don’t like it, well, I didn’t have any expectations anyway. Just like it happened here…
Neil Young – After the Gold RushWell, I don’t know if you rushed your entry when you realized you forgot to send, or you genuinely thought I’ll like this, or maybe both… and I think it may sound a bit harsh too, so I’m sorry in advance. I just can’t stand the singer’s voice. Like at all. Not in the “he’s nothing special and too flat and unmemorable” way, but more in “he’s actively annoying” kind of way. I can’t help it, and I tried to get into his voice, since I was actively spinning the songs you’ve sent me – I actually think your songs were the most listened because I was desperately trying to make them click with me, but I only ended up being antagonized against his voice further.
And since this ballad is driven by his voice, the only redeeming part here was from 2:00. The instrumental part. I really feel awkward to express all that dislike on the artist you seem to like a lot, but that’s just it. Sorry.
5.5/10
Neil Young – Like a HurricaneWell, hey, this song was definitely better than the other one, at least because it wasn’t too vocal driven and his voice here was actually tolerable for me. However, there was another problem with this song – I’ve found it to be too drawn-out, I think it could use some cuts in the middle. I don’t want to cut the guitar solos much, because they’re the reason I think this song is somewhat great, but I don’t think it should’ve been eight minutes in length. Something like six minutes sounds just fine. Maybe he should’ve cut some guitar solos after all.
The guitar solos themselves, well, I’m torn on them. On some moments I find myself loving them, and on other moments they’re too chaotic and too raw to my taste. One day I enjoyed them, the other day I spurned them. I definitely think they’re interesting and this is a better way to spend the time in Neil Young song as opposed to his vocals, but sometimes it was still too much for me.
I thought this song was alright though. Definitely not the reaction you hoped for, but, well, that’s just the way it is.
7.5/10Neil Young was a miss with me, and it’s more than likely you’re out of competition for the first place, but you still have to send me your EP and now that all the pressure is lifted you can basically go with whatever you want.
Total score for the round: 13/20Bands added to banned list:Michael Kiske
Almanac
Sunburst
Mind Key
TesseracT
Neil Young
The scoreboard:Big Hath - 69
TAC – 69
wolfking - 68.5
bl5150 - 67
lonestar - 63.5
senecadawg2 - 62.5