(Fluffy Lothario) Fire! Orchestra - Enter, Part One
Your song was one of the two "fucked-up" tracks, and unlike the other, this one is amazing. Like I said on that write-up, I've become more interested in experimental music. But not everything is gold - some artists I respect for their endeavours more than actually liking their music. This is a case were both intersect in a curious, even if weird way.
So, to the song - it's fucking weird. Vocals are creepy, the sax player is fucking insane, and the rest of the musicians are excellent. I really like the flow this track has, how they all get along making this. A remarkable moment is the female vocal performance on the second half - pure lunacy. Although it's one of the longest tracks on the round, it really didn't feel like it. I don't have much to say, other than this was full of great moments. Btw, our secret player submitted something from this band's first album in round one - I told him "nothing generic" and he looked straight into his avant-garde folder
So yeah, I can definitely see how "along with the Swans, these guys are about the most awesome band on the planet at the moment." 4.5/5
I dunno how many roulettes you've played, but man, you were on fire on this one - from the beginning you got a good grasp of what I liked and sent according to it, with some little interesting experiments here and there.I think you deserve your #1 spot, and on any other roulette you'd have already been given the crown - but that ain't how we do things here. Welcome to the finals.
And for the first time, I top a round.

I'm curious as to what else Mr Mystery Player sent if he has Fire! Orchestra on hand.
I could write pages about F! O, they are mindblowing. They're one of those acts like The Mars Volta or the Swans that are just wiping their asses with the rulebook. Oh, and yeah, their singers are nuts. The last 1/4 of their first album, Exit!, is unlistenable even to me, as the singer goes a bit too mental (and there's not enough going on musically). On Enter, it's more moderate insanity spread out across the entire album.
They have a new album scheduled for the end of April, by the way.
If you like that kind of sax playing (which is basically just free jazz sax), you should check out Coltrane's later albums (like Ascension and Meditations), Pharoah Sanders (Karma, Black Unity, and he appeared on Jazz Composers Orchestra, as well as those Coltrane albums), Albert Ayler (Spirits) and Eric Dolphy (Out to Lunch).
This is that sax player, Mat Gustafsson, with a different band called The Thing, plus a guest sax player from another free jazz band from the '80s I've never heard of, but are apparently great. I didn't like what I checked out of The Thing's studio stuff, but this gig is like tapping the fucking source, pure absolute fire.
https://www.youtube.com/watch?v=BsQYrQ3XvHUMy taste is fairly weird, so I don't play in tons of roulettes because the stuff I would send ain't gonna appeal to a lot of people. Just recently is the first time I've done any in years.