Just for a perspective, I must say that I'm a SW fan of his work from Porcupine Tree (from Lightbulb to Incident) and his solo career (from Drowning to To the Bone)..
Now about TFB... although SW is referring to this album to be situaded more in the "now", my perception is that it's really grounded in the 80's art pop sound, with a lot of 80's and 90's keyboard sounds. He can run, but he's essentaially a nostalgic artist.
It's a good album, specially from King Ghost to Follower (I love this one, it has a cool guitar solo and, in some places, a bit reminescent of Yes's Drama, like said in a previous review here). Count of Ease is in that more melancolic SW style, which it's not my favorite side of his, but I think a lot of people will really appreciate it.
My main "problem" with the album is that it has 100% of songs that I normally apreciate if they are one or two in a "regular" prog album by SW. I get that SW wanted to do an entire album in this style partially because "why he should repeat himself if he never did this kind of album before?". Well, my simple aswer is: because he makes better prog albums IMO.
And Eyewitness and Floral Green should be in the album, I like them more than Unself/Self.