23. Van der Graaf Generator - Pawn Hearts (1971)Classic prog, I once really loved thee. Well some of it is still really awesome. This probably being the most awesome. There are only 3 songs, all of which are over 10 minutes, one of which is 23 minutes. Now why does VdGG stand out so much above other classic prog bands to me? Well, several reasons. They aren't overtly show offy, they can be delightfully weird (this album is the best example), Peter Hammill is one of the most brilliant lyricists out there and his vocals have so much fiery passion, versatility, and character that he's just a joy to listen to, they manage to rock super hard with (mostly) no guitar, and they really sound nothing like any other prog band or band in general. Oh and their saxophonist plays TWO SAXOPHONES AT THE SAME TIME! C'mon, that's awesome.
Now onto the album. This is definitely their weirdest, most experimental, and most ambitious release. The production isn't quite as crisp as their later releases either, but it works to the album's advantage in my opinion. It features a few crazy noisy sections, especially in the epic A Plague of Lighthouse Keepers, and lots of psychedelic overtones. Speaking of A Plague of Lighthouse Keepers, I think it's by far the greatest epic in prog and one of my favourite songs overall. It's a 23 minute ode to loneliness that goes through a whirlwind of different emotions all greatly enhanced by Hammill's amazing vocal delivery. Don't let the psychedelic section near the beginning put you off, it's quite an interesting song. Just prepared to go through some absolute chaos.
And even if you try this album and don't like it, you can always try out the more accessible Godbluff and Still Life. But for me, this is their peak.
Best tracks: All of them, but mostly A Plague of Lighthouse Keepers22. American Football - s/t (1999)And here's the greatest album in the twinkly guitar midwest emo genre. It really is the pinnacle of the genre. And lots of that is because of, well, the twinkly guitars. They never sounded better than on this album. Just immaculately produced and beautifully layered. It's real ear candy. The band also seems to enjoy odd time signatures, which gives it a more unique, fresh sound I find. The lyrics are, well, not always subtle but that's kind of usual for emo.
It's supposed to make you feel like a depressed teenager, and it does its job as well as any other. The album even feels longer than it is I find, but that isn't always a negative thing. Hell, feels like I'm enjoying more that way.
This is another album it's hard for me to go in depth about. If you are a depressed teenager or want to feel like one again, listen to it.
Best tracks: Never Meant, The Summer Ends, Honestly?, I'll See You When We're Both Not So Emotional, Stay Home