9. Conception - In Your Multitude (1995)Here it is, folks: Roy Khan's masterpiece. I only recently got into Conception, but I can't seem to really stop coming back to their albums. This band is just so addictive! That statement is especially true for In Your Multitude. Not only is Roy Khan at a peak vocally and lyrically on this album, but the band around him is
incredible.
Especially guitarist Tore Ostby. This guy is a stunner if I've ever heard one: Imagine a heavier, slightly more complex Chris DeGarmo. Now imagine him with a heavy Latin and Jazz influence. That should give you an idea of how mindblowingly awesome Ostby is a guitarist. His work in his latter band (Ark) is also phenomenal and I hope to hear more from this guy at some point in the near future. The metal world is a much better place with him around.
The rhythm work on this album is also terrific; I love how the bass slithers and coils around the rest of the band on songs like "Solar Serpent" or "Carnal Comprehension" and the drum work on the whole album is great too!
As I said before, I personally feel that this is Khan's lyrical peak. While this album doesn't tell any singular story, like his Epica and Black Halo albums with Kamelot, I feel that Khan's work in Conception reveals a very interesting aspect about him; his lyrics in each of his albums appear to act as a medium to where exactly he was in his spiritual life. This carries over into Kamelot too; the story of Ariel really seems to come off more as Khan's personal search for God and an understanding of divinity. This is Roy at a darker point in his life, a younger man. I guess I like this set of lyrics the best because I think it's probably the closest to where
I am in my own struggle right now.
In many ways, I think Roy Khan was the man that many prog metal fans always pictured Geoff Tate to be. A true artist. Sure, Tate certainly influenced Khan as a vocalist, but I've heard so many times about how fans from Queensryche's hey-day always saw Tate as a class act and an absolute genius. Maybe I had to have been there to
get that, as my vision of the man is incredibly tainted by the man we all know him as today. On the other hand, Khan was always a man chronicling his personal journey and left the metal scene once he'd come to the end of that journey.
While it's heartbreaking for me and other fans of him, if this means that Roy Khan is in a better and happier place in his life now than when he wrote these terrific albums, then I wish him nothing but the best.