OAMAT is one of the better WDADU songs musically but Dominici absolutely murders it.
Anyways I noticed I forgot to pose a question yesterday so I'll pose two today instead.
44. Beyond This LifeThe intro riff/main riff of this song is absolutely killer, always loved it, and it reverberates through much of the song, a driving, chilling rhythm. I think this is one of the few times where vocal effects are used to excellent effect, as well, the lyrics in the verses are very impersonal and devoid of emotion, just like a newspaper article, and the effects make LaBrie sound very quiet and cold. Oh also, lots of solos. This song certainly has them. The jazzier, more laid-back solos in the long instrumental are nice and all but I’ve always preferred the intense shredfest of a guitar solo. It’s just so manic-sounding, I don’t know what it is but I love it. The instrumental sections here really are probably my favorite bits though, Petrucci completely owns this song though Rudess does fine too. The last chorus is also just absolutely amazing. Certainly a moment where long chords are used to great effect, Portnoy’s driving rhythm keeping up the intensity the last unison leaves you with throughout the rest of the song. There’s really a lot to this song and a lot that I like about it even if some of the moments don’t resonate as strongly with me as others do.
43. Never EnoughWell yeah I’d like this song more if Muse hadn’t already written it better, but the song doesn’t stop being good because of that. I adore how LaBrie sings on the verses, the main riff is pretty sick, and the unison is fantastic. Portnoy also does some fantastic work during the second verse, and really throughout the entire song, but especially there. Honestly I’m not sure I have anything negative to say about this aside from “it’s Stockholm Syndrome”. Re-listening to this again actually put it up quite a few places, it didn’t used to be on my list and now it is. Damn, DT have lots of really good songs. See this is why I’m doing write-ups like this in advance. I want to have the most fixed list I can possibly create. And I think I ended up accomplishing that, so. I mean yeah these rankings basically change every day but this is as close as I can get, for the moment.
42. Lifting Shadows Off a DreamThis song is just flat-out beautiful, no question. The synth strings here legitimately sound better than Rudess’ on DT12, for what it’s worth. The entire song builds up all the way through, and it’s just a wonderful ride the whole time. Petrucci’s “solo” if you can call it that is simple but really effective. By the final chorus it’s really something grand… of course, the lyrics are great here as well, but you knew that. It’s really hard to say stuff about this song without sounding cheesy, it’s just a really moving song. I’m honestly baffled that there are so many songs they have better than this one.
Second Discussion Question: If DT were to have one hit song that wasn't PMU, what song do you think would be most likely?
Third Discussion Question: Is it okay for one band's song to sound similar to another if the band puts their own spin on it?
Also I just realized, with a 25-day schedule my #1 will be posted on Christmas Day