OH MAN! THE TOP FIVE IS HERE!
I was thinking of doing honorable mentions or something, but I've decided to just keep going with the list because this has gone on way too long already, and I don't want to keep other people held up, so let's do this!
5. The Mars Volta – The Bedlam in Goliath (2008)
Now for the most intense record I’ve ever heard in my life. From the moment “Aberinkula” starts playing until the second “Conjugal Burns” ends (and even a while after) you’re trapped for 75 minutes in an acid trip gone wrong, but in all the right ways. Right when you think you’re about to sober up, the almost too fast, uncontrollable grooves grab you by the throat and pull you back under the surface, and no matter how much you struggle, no matter how hard you try to break free, there’s nothing that you can do to escape the clutches of The Bedlam in Goliath.
There is not one thing that I don’t like about this record. My adrenaline levels are always on the rise when I listen to this record (my hands are shaking as I’m typing this), and I love every minute of it. A lot of people began to jump off of the Mars Volta band wagon after their third record, Amputechture, was released, but for me, that’s where it really started to get good. They really started to come into their own when it came to strange, avant garde like music that sounds like nothing else out there, and that’s really the reason that I was drawn to this band so much, and this record especially. There’s so much going on it almost seems as if this record would be way too much for someone to listen to (and for a lot of people it really is), but there’s nothing about this record that has made say to myself, “Well, they could have something different there.” Everything from the odd time signatures being held together by the erratic style of Thomas Pridgen’s drumming, the unconventional guitar solos of Omar Rodriguez-Lopez, the heavily effected bass from Juan Alderte, the bi polar vocals shrieked by Cedric Bixler-Zavala, the strategic keys and synth from Ikey, everything is in a league of its own giving this record a one of a kind sound that no other band could even dream of coming up with.
Omar Rodriguez-Lopez, the mastermind behind The Mars Volta, is known for his strange style of music, and lack of patience when it comes to his writing and recording. He’s a musical genius, but with a very controlling, dictator-esque mentality (he’s been called one on many occasions). He changes what he’s into seemingly almost every day, and it really shows when you look at his 28 solo albums. He’s a master of the unknown, and seems to be able to craft music that always surprises even his biggest fans, but nothing will ever reach the level of The Mars Volta and The Bedlam in Goliath.
Favorite Song(s):
Wax Simulacra, Goliath, Aberinkula, Soothsayer, Ilyena, Conjugal Burns