I go back and forth between SOC and TDOE as my favorite DT instrumental. I love them both for completely different reasons. TDOE is balls-out ridiculous and insane the whole way through, and after years I
still don't have all the time changes down by memory. I love that. SOC is
extremely cerebral, for me, as someone else put it, and the joy of that song is more about tracking the story it tells. People are right, it absolutely showcases more melodic songwriting abilities, and the guitar lines feel like a vocal melody in themselves. I'm going to refrain from typing out my big cerebral/theoretical analysis of this song and how it speaks to me, FOR NOW, cause I'm at work and it would take forever
It will come, though, for I love this song!!