A quick track by track for me -- I'll move us on to Powerslave in the morning.
Where Eagles Dare -- Mr. McBrain announces his entry into the group, and the beginning of the group's string of albums with their classic lineup, with aplomb. The instrumental work is truly incredible here, though I agree it gets just a bit repetitive in the middle.
Revelations -- This album also marked the transition into a more mature writing style -- the band moved away from the "horror" style into myth, religion, war, and science fiction. As has been mentioned, Mr. Dickinson's contributions can't be underestimated -- this is a fantastic song, and largely thanks to Bruce's contributions.
Flight of Icarus -- Never knew that the reason this one isn't played any more is a dispute over the tempo. (For the record, I prefer the slower tempo of the studio version.) Anyway, we've got another deserving Maiden classic here. This is a fine song to listen to a dozen times at the request of your son -- at least it wasn't Quest for Fire, bosk.
Die With Your Boots On -- Eh, this one is fine. A little filler-y in comparison to much of the album, but a very strong tune on its own. (One of the posters mentioned that Bruce's little bit of vocal improv in the last chorus -- the "try, try" -- is pretty cool, and I agree that this is a special little embellishment.)
The Trooper -- Really, what is there even left to say about this one? This song
is Maiden.
Still Life -- A fantastic, haunting, underrated little gem. They should pull this one out in modern tours -- it seems to me like this one would fit right in along with Brave New World and Paschendale. NIGHTMAREEEEESSSSSSS
Quest for Fire -- Nahhhh.
Sun and Steel -- Nothing special about this one, but it's really just a bit of filler. Entirely inoffensive.
To Tame a Land -- And thus began the age of really proggy epics. This is a truly unique and excellent piece.