Ah,
The Number of the Beast. Not Maiden's best album, but a pretty damn good one.
Invaders - I don't care what anyone says, this is a fantastic opener. There's that dominant Steve Harris bass, some very good solos, and Mr. Dickinson announces his presence with authority on those lyrics. "InVAders *doodooloodlelee*" I don't know, maybe it is cheesy, but it is a fantastic bit of heavy metal, and I wish they would play it live, I think it would slay as an opener and be a very pleasant surprise (though they do not exactly have a history of bringing out never-before-played songs, as those of us who have been pining for Alexander the Great well know).
Children of the Damned -
BD: "I wonder if I made myself clear enough on Invaders... The point I'm trying to make is that listening to this and with me on the vox will change your life."
SH: "Here are the vocal melodies for this next song"
BD: "Never mind, I think it will be perfectly clear."
Seriously, a hauntingly good semi-ballad that puts the new singer front and center. A lot of confidence they had in Bruce, and it was certainly not misplaced.
The Prisoner - This, I think, is sort of the forgetten track of the album, and I think that's a shame because this is another great atmospheric track, with excellent solos by Dave and Adrian.
22 Acacia Avenue - Aside from that one (you know the one I mean), this is the best constructed song on the album and it is bar none the most underrated on it. Dave may seem to steal the spotlight with his solo, but those of us who are well-versed in the compositional abilities and styles of Maiden's three guitarists know that this is a H song though and through. Of course, you'd also know this if you knew some band history; that Steve had seen Adrian playing this song with another band when he was scouting guitarists and two years later asked him if he still had the music to it so it could go on the new album. An incredibly energetic song with good vocals by Dickinson ("You're running away don't you know what you're doing"), and, again, excellently tight construction. I'm not a musician so I don't know how to describe it, but basically this may well be the most complex song on the album and it flows beautifully as one piece from the opening riff to the closing guitar bursts.
To anyone who calls the lyrics silly, do think about the actual meaning of them. This isn't a song about "Oh, I saw a prostitute, let's laugh at her". To borrow a quote from one commentary, "they seem to insult and to mock Charlotte The Harlot, but they secretly bleed for this girl who suffers and sells her body" (
source). The words to this song are an anti-prostitution masterpiece.
The Number of the Beast - Very ominous guitar riffs and melodies; while this one is slightly overplayed it is a classic. Also, contains the indisputable greatest scream in the history of screams.
Run to the Hills - Not as well-constructed as the aforementioned and clearly a below-average Maiden song. Still has good vocals and a memorable Dave Murray solo; and a pretty good sing-along part.
Gangland - Another much-hated track. I love the energy of this one; it never fails to get me on my feet. While it is the weakest on the album, it is a very enjoyable short song and, while I hear myself getting repetitive here, Bruce sings very well and Adrian plays a good solo.
Total Eclipse - This time I won't praise Bruce's actual singing, but the way that the vocal melodies interact with the rest of the music is quite good. Still, not among the best on the album, though it should have made it instead of Gangland.
Hallowed Be Thy Name - Best song on the album, best song by Maiden up until this point. But don't make me choose between it and a number of other songs. My only complaint is that compared to its many live versions, it's weak in the studio. Any of the live versions is better than a studio version because Bruce does the long "life down here is a just a strange illusion" and it overall just has more energy (which is just true of Maiden live period, they are simply a better live than studio band). Also, while it maybe heresy to the Church of Adrian Smith, I enjoy most of Janick's solos on this song better than H's (I say most because, as those who are familiar with Janick know, he's prone to onstage improvisation which sometimes works out but often does not).
Rankings:
1. Hallowed Be Thy Name
2. 22 Acacia Avenue
3. Children of the Damned
4. The Number of the Beast
5. The Prisoner
6. Total Eclipse
7. Run to the Hills
8. Invaders
9. Gangland
Oh and rankings for the debut and
Killers because I forgot:
1. Phantom of the Opera
2. Remember Tomorrow
3. Transylvania
4. Strange World
5. Prowler
6. Running Free
7. Sanctuary
8. Charlotte the Harlot
9. Iron Maiden
1. Wrathchild
2. Murders in the Rue Morgue
3. Killers
4. Purgatory
5. The Ides of March
6. Genghis Khan
7. Another Life
8. Innocent Exile
9. Drifter
10. Twilight Zone
11. Prodigal Son