40. Finally Free
This is a very ominous track. It starts off pleasant enough, but things turn dark quickly. I really like the understated piano work in the first vocal section. The chorus has a fantastic melody. 6:27 to 7:27 is legit goosebump material. The outro is pretty killer (ho ho), with some sick drum work. This song works so well on the album, but the thing with SFAM songs is that they work better as part of a whole than on their own, so they're harder to rank. I mean, the ending of this song with all the sound effects and whatnot is more of an end to the album than to the track. Like how the end of Peter Jackson's Return of the King serves as an ending to all three LOTR movies, and not just that one movie. What am I even talking about here. I'll move on to the next song...
39. In the Name of God
SWEET RIFFS AHOY. I'm not thrilled with some of the lyrics, but overall it's a really strong and rocking mini-epic with some seriously fun, monster riffs. 10:02-10:23 is especially tasty. Jordan throws lots of important-sounding piano all over the track. The unison is definitely awesome, and I like that groovy bassline underneath. MP also has some creative drumming going on in that instrumental section. The chorus is indeed epic-a-licious. And I also have to mention that one itty-bitty electronic break (at 7:14), which is kind of random but welcome.
38. Bridges in the Sky
Okay, the intro really reminds me of a couple Flower Kings songs. Anyway, the main draw for me in this song is the "at last the time has come" part, which is beautiful. One of the band's greatest melodies EVAH. The chorus itself isn't shabby either, for that matter. The instrumental section after the first "shaman take my HAAAAAAAAAAAAND" is pretty good, but a bit standard. There are lots of nice riffs throughout the song, and I especially dig the one at 4:59...so djentle. Viva Mangini!
37. Peruvian Skies
In some ways, kind of a prototype Endless Sacrifice, starting off all moody and then rocking out. As much as I love FII, it was sorta lacking in cool metal parts. But the second half of this song is definitely cool and metal with some satisfyingly headbang-worthy riffage. That opening melody translates really well to a heavier riff. Petrucci gets a nice solo. He had some really great lead (cue Mangini) toooones on this album. I'm glad they kept this track somewhat concise...6:43 being concise for Dream Theater.
36. The Mirror
Chugga chugga. The first appearance of Awake on my list, The Mirror has nice bone-rattling riffage and lots of convincing anger from Captain LaCheez. This is still one of DT's heaviest songs, with a really oppressive—even creepy at times—atmosphere. Moore's chilly, crystalline piano fits in well. The musical foreshadowing of Space-Dye Vest was a nice touch, and the sludgy ending transitions well into Lie.