Awake
Train
Images
Falling
Octavarium
Dramatic
Degrees
Clouds
Systematic
Scenes
Unite
SFAM's heaviness isn't atmospheric or dark or cool or mysterious, especially the slightly obnoxious middle-eastern sounding line in Home, the cheesy lyrics, and Finally Free being a disjointed soundbyte + recap + forced exposition ending. Finally Free has a few really good moments, like "This feeling... inside me.." recap, the ending guitar solo (which is just the Overture guitar solo), the ending riff, "SOMEDAY SOOOOOOOOOOOOONNN," but I find it really hard to listen to because I don't know where to stop... do I just skip to the next track after the footsteps begin? Also, I despise the majority of Beyond This Life because of the weird keyboard patches- there's some kind of horn at one point? The riff is kind of bleh as well. I never really liked those sinister-sounding half step riff things in music in general. Dance of eternity is pretty cool I guess, but there are like 50 on-a-dime changes and it throws me off. the melody is intricate and metal or whatever, but not really enjoyable. The only parts which I do like are either soaring symphonic melodic stuff like Overture, TSCO, and One Last Time or rightly done heaviness that could be taken seriously, like fatal tragedy guitar solo or when vocals enter in home. Overall, I used to be obsessed with this album too, but on repeated listens it kind of gets bogged down a bit. It is certainly ambitious and theatrical enough to be considered a landmark record. Also, I'm not one of those people who have an acute hatred for "wanking." I like wanking; in fact, I think that's what makes DT DT. Wanking is cool, gets me pumped, opens up possibilities for fast-paced and dynamic song structuring.
/endrant