Alright, first things first: I apologize for the last update, which wasn't real. It was actually an experiment, to see how convincingly I could praise something that I don't care for, because I have a similar task in my English class at the moment. It was NOT meant to be demeaning to anyone who actually thinks this album is a good album, but I personally don't enjoy it a lot.
After RJ's and Mason's responses, I actually feel quite bad about this, because it seems like I don't want to voice an opinion that is unpopular, and because it could give off the impression that I actually don't support people who do precisely that. That is, I can assure you, neither is the case at all, and there will be another album to come soon that is regarded almost as much a black sheep as Lulu is.
Again, sorry if this offended anyone or anything.
Now, my real number 9:
09. Metallica – Master of Puppets (1986)Often cited as one of, if not the greatest thrash metal album of all time, this album encompasses everything that was good about Metallica in the eighties, and sadly also everything that they abandoned with their later albums. This album is structurally very similar to Ride the Lightning, with the first track opening with acoustic guitars, before getting heavy, the second track being the title track, the fourth being a more mellow affair and the album containing a long instrumental near the end, but this album ups the ante presented by Ride the Lightning in all aspects, resulting in an album with not a single bad or boring moment.
Really, this album has it all: lightning fast riffs and soloing (Battery, Disposable Heroes, Damage, Inc.), darker and more trudging riffs (The Thing That Should Not Be), creative solos (Master of Puppets) and some of the best lyrics that Metallica has ever had to offer (Master of Puppets again, Disposable Heroes, Leper Messiah).
A very special song for me on this album is Orion, which is probably one of my favourite instrumentals ever (second only to Eve, I think), and most of this is due to Cliff Burton’s genius bass work. The bass is really all over the place here, and the way that Burton weaves bass melodies into the guitar work is nothing short of astounding. It was a tragedy that he died soon after this album was released, because I would have loved to see him contribute to future albums of the band, at least to …And Justice for All, but as it stands, I honestly cannot imagine a better swan song for him than Orion.
If you are a metal fan, then you know this album already, and you probably also know how awesome it is. Those that haven’t heard it, please turn in your metal fan card right now. You’ll get it back once you listened to Master of Puppets.
Recommended tracks: Battery, Master of Puppets, Welcome Home (Sanitarium), Disposable Heroes, Orion, Damage, Inc.