disclaimer: my opinion!
Purpose: interested to see if anyone else here feels the same way.
I hate to be "that guy" but this album was a real downer for me. With the exception of maybe on the backs of angels and some moments on breaking all illusions, I have no incentive to revisit any of this music. I really tried to like this album, but to no avail it hasn't aged well at all for me...
> build me up, break me down: generic radio friendly "nu-metal" album that isn't even worthy of being a b-side James labrie solo project song (not to say that the JL solo stuff is bad, i love SI and the previous one and am looking forward to the next album)
>Lost not forgotten: has some good moments, which are prompt and completely outweighed by how arbitrary and derivative alot of the noodly stuff seems (see rehash of dance of eternity into unmusical showmanship of how fast we can play diminish scale pattern things), and the melodic and lyrical content just doesn't appeal to me at all.
>this is the life: I do like this one, but not enough to give it another listen. a "powerful moment" or two. I feel like this song was structured really well, there is definitely an emotional roller coaster of sorts. I guess I just find it way too cheesy, uninspired and even a little tired.
>Bridges in the sky: It just feels too formulaic in terms of the instrumentation and the "proggyness". Its like a parody of modern DT prog metal itself. I love the "crossing bridges in the sky" chorus thingy, and the dramatic instrumental that immediately precedes it up until the "eastern" sounding instrumental part. I just don't see the appeal of that section ("eastern" sounding instrumental) at all, and they have done this before (not literally, but again emphasis on feeling uninspired). also an honorable mention to "Sun... come shine my way..." chorus.
>Outcry: some cool moments in the instrumental, but otherwise its technical for the sake of being technical imo. not really drawn in by the "big/epic" sound of the rest of the song either.
>i've forgotton what this ones even called... its not terrible... it kind of serves as a decent counterpart to BAI I guess(?) but other than that...
>BAI:I have little bad to say about this one. Has some of the most inspired and unique sounding DT on this album. For me it saves the album from being one of their worst. There is prog with purpose here i feel (at least doesn't feel as arbitrary as other proggy parts on the album), and props to JR with some of those wicked keyboard tones that really give it a new flavor and depth (same for backs of angels). JPs solo is A+, and that freaky deeky keyboard section after it is so sick! I want to hear more DT songwriting/arrangement of this caliber.
>beneath the surface: good closer. a suprisingly tasteful use of morphwiz lol. a beautiful song that I just don't have an interest in listening to again, although i can almost see myself letting this one play if it came up on shuffle or something and i was in the mood for it.
A mostly "uninspired" sounding album. If there was a frontier of "the best DT music", which was a function of "musically innovative" and "tasteful progressive" (for instance), this album, as a whole, would lie well below this frontier. Considering their circumstances at the time, I think it's definitely a commendable effort, although I think the praise for this album is slightly unwarranted and I would like to put forward that the correlation between a person loving this album and their DT fandom/fanboyism/outright LOVE for DT is strong: rose colored glasses bias. I mean to people saying this is up there with 6doit/sfam and even octavarium: reallyy?
again, I don't mean to be a hater, just stating how I really feel about this album. Just trying to keep it real