Well that went over about as well as thought it might...lol..... Here's the first 5 from my Top 50 list. Maybe it'll generate more interest.
50. Rage Against The Machine - Rage Against The Machine [1992]I've always been a sucker for heavy music with a groove. Take guitarist Tom Morello's great playing and ability to create infectious licks add the power and rebellious lyrics of Zach de la Rocha and I'm sold. From the moment I heard "Killing in the Name" I knew this was a special band. The band's groundbreaking debut album is relentless from beginning to end and at the time of it's release RATM was likely playing heavy/hard rock better than most, and while I don't consider them a rap/rock act, their lyrical flow was also probably better than many at the top of the Rap/hip hop charts.
Check out:
"Killing in the Name",
"Know Your Enemy",
"Freedom"
49. Havok - Time Is Up [2011] I discovered Havok looking for newer metal bands and they were right down my alley. A force in the new wave of thrash metal, they sound like someone lifted them right out of the bay area thrash scene in the 80's and fast forwarded to today. The band is much more technically skilled than some of those 80's bands though.
These young guns are excellent musicians. Drummer Pete Webber and bassist Jesse De Los Santos pummel you throughout every track, lead guitarist Reece Scruggs riffs and shreds all over the place and guitarist/lead vocalist David Sanchez is a perfect thrash front man. If you are a metal fan, particularly if you are a thrash metal fan I highly suggest you check into this band and this album Time Is Up.
Check out:
"Covering Fire",
"Prepare For Attack",
"Killing Tendencies"48. Dokken - Tooth and Nail [1984]This may be a bit of a curveball pick. "Hair Metal" really takes a bad rap at this point in my opinion (although I understand it). What many overlook is the early era from late 70's through the early 80's there were some very solid hard rock/metal albums well before many of the bands 'jumped the shark' or were forced to go in certain directions by the record industry.
Tooth and Nail features probably my favorite intro track ever "Without Warning" which is an instrumental featuring the superb guitarist George Lynch. When people get into the best guitarist, drummer etc. arguments today, I feel they really are just arguing which styles they like better or who's tone they prefer (cue the mangini face). I've always loved Lynch's tOne.
Tooth and Nail finds the band at their best. Don Dokken's vocals were great, Lynch was on fire on guitar and the bands songwriting was never better as it still had an edge. If you like guitar this album is worth it to check out Lynch's solos alone IMO.
Check out:
"Without Warning/Tooth & Nail",
"Don't Close Your Eyes",
"When Heaven Comes Down"47. Queens Of the Stone Age - Era Vulgaris (Tour Edition) [2007]This is the first of a couple albums where I chose to select a specific edition of the release....This one in particular due to the addition of "Era Vulgaris (Richard File Remix) (featuring Trent Reznor)" which is exceptionally cool.
I really enjoy the whole of the Queens of the Stone Age catalog. For me, Vulgaris was a step away from their normal sound while still maintaing who they are. Era Vulgaris still finds the natural stoner rock grooves and Hommes unique vocals but changes it up by adding a little more electronic like influences off and on along with moody melodies. I find this album more level from top to bottom but maybe not having quite as many hit songs as their other releases.
Check out:
"Turnin' on the Screw",
"Era Vulgaris (Richard File Remix) (featuring Trent Reznor)",
"Make It wit Chu",
"3's & 7's" 46. Chroma Key - Dead Air for Radios [1998]This was an album I found on these forums. I hadn't heard of Chroma Key before but had always been a big fan of Kevin Moore's work with Dream Theater, so I had to check them out. I started with Dead Air for Radios and I connected with it right away. It's often dark, ambient and melancholic featuring electronic elements and samples which would be familiar to those who know Moore's work in DT.
Something about this album reminds me of a more modern Steely Dan or Peter Gabriel. The playing is tight, the songwriting is very good and to the point but at the same time experimental. After a few listens the melodies had seeped into my consciousness and I was hooked.
Check out:
"Colorblind",
"Even The Waves",
"Undertow"