After subsequent listens...eh.
It's their best album since ToT (which I found to be good, but not awesome). But that's not saying a ton. Look, I was a huge DT fan up through about 2002. I didn't like the wanking for the sake of wanking found on Dance of Eternity (although I got how the title matched with the music) from Scenes, but for the most part, thought the album, aside from ripping off some huge blatant things from other concept records (the first three songs introducing the record were a structure and pacing rip off of Mindcrime, for starters), I liked the songs.
But my fandom decreased steadily from there, hitting bottom with Systematic Chaos and Black Clouds.
My first reaction to this new one, after the first song was "they got it!" "Yes!" After the first total listen, I just wasn't blown away, but figured that would get better. But that feeling of positivity wore off, quickly. The record sounds good, although I agree that the drums are lower in the mix and I don't believe that's a good thing, frankly.
The songs...nothing stands out to me. My wife said that last night too. Nothing stands out that really says "I am the highlight(s) of the album," song-wise, at least for me.
And then the usual...probably half the songs could deal with some shaving. The long drawn out instrumental parts are only cool IMO if they support the sound of the song or heighten the drama. Most don't.
Outcry -- great tune...and then they turn it into Metropolis and lose me.
I liked Metropolis and still do...the instrumental breakdown section of the song IS out of place and I DO notice it, but to me, and I still think this...in early DT, Metropolis was like the one song that was a really cool, different thing for them.
Then starting with Scenes, they sorta made it a priority to at least do one or two songs per record that did that "lets slap in an instrumental that has nothing to do with the flow of the songs."
Granted, the ones here on ADToE are a little more song oriented, but overall, in the couple I can think of, it's not by much.
The record just never gets dramatic for me (pun intended). It's not bad, not at all. But there's nothing on the record that makes me go "holy crap, that was awesome." There are some cool riffs and passages, but nothing in-total that has me championing it.
Arch/Matheos, on the other hand, that has that "IT" factor to me (I won't mention Anthrax, since it's a whole different genre and style).
Again, it's not bad, but I'd consider ADToE to be a "filler" album in Dream Theater's catalog. Better than the last few, but nowhere near the brighter moments of the band's career.