Okaayy so I finally checked out Polaris and Sonder.
I think Polaris is good but relies a little too much on slower tracks. The opener is awesome, but over the course of the album, I sometimes find myself thinking "duuudes cmon hit me with some of that heavy riffy shit like on Proxy or Nascent". Maybe I have to grow into it a bit more. TesseracT's melodies generally don't hit me at first or second listen, it took a few listens of the first two albums to really appreciate their beauty.
Sonder, on the other hand, is amazing in my opinion! It has easily the best production of the four (those drums
) and I like its atmosphere a lot more than Polaris'. It's also a lot "slower" than One and Altered State and it doesn't have those aggressive riffs like on One, but the mixture just works better. I really love the double decker epic Beneath My Skin/Mirror Image. And I have to disagree with you, Buddyhunter, I think The Arrow makes for a great ending. Also, in my opinion, Sonder manages to make good use of its 36 minutes and I actually don't find it too short! When I first listened to it, I was on a 5h drive to Vienna and I just listened to Sonder 5 times on that drive
would never be possible with a 110 minutes Neal Morse album
I like that TesseracT albums are never over 55 minutes and that they really stuff and condense all their great ideas into those short running times. You might say, they lavishly throw around good ideas that other artists would use for entire songs. Still, I would love to hear some heavier sounds on their next output. I also love Daniel Tompkins' harsh vocals.
I held back with Portals until a few days ago, because I didn't want to hear any songs from Polaris and Sonder without having heard the full albums. I listened to it twice on another 5h drive. Let's just say, that finale from Of Matter in the Portals version is one of the greatest things I have heard in quite a while. That mix blew me away and I almost crashed my car into something at first listen
It's a pity that Jamie Postones couldn't be on this record as I really appreciate his drumming. But Mike Malyan (who I don't know) did a great job recreating those insanely complex polyrhythmic drum parts.
I can't wait to see this steamroller of a band live