SNIP
I see your point about the ending of MCII, but at the same time, All the Promises was actually one of the better musical bits from the album. The Andrew Lloyd Webber style vocals were ultra-cheesy, but the two guitar parts sounded great together. Live, which is the only way that the silly thing is even bearable, it was easily the highlight of the second set.
Yeah, I always thought ATP was a decent enough song, and never really had any problems with it, but it definitely was not strong enough to close out the album. If it had lead into big finale, similar to Eyes of a Stranger, then it could have worked, but the song on it's own just ends weak and it leaves you with this feeling that there should have been more.
For the record, I actually think MCII, taken as a stand alone album, rather then a sequel, was a pretty decent album. Despite the fact that the actual band wrote very little of it, and the whole idea of a Mindcrime II being a blatant money-grab, it actually seemed to be a genuine effort to return to something that vaguely resembled that classic Queensryche sound, not just musically, but thematically as well. It is actually my favourite of the post-DeGarmo albums (which isn't really saying much, but bear with me here). Sadly, the album was brought down by the fact that it was a
literal sequel to OM rather then simply a
thematic one, a musically inconsistent second half, and a lackluster ending.
Taken for what it is, I feel it is the closest thing to a solid
album Queensryche has made since Promised Land, but unfortunately, it is damaged by some pretty severe structural flaws as well as the fact that it is a shameless attempt at trying to relive the past. Because of all that, it ultimately reinforces the belief that Queensryche really is beyond recovering their legacy and reputations and a world class act, rather then dispelling it, which is clearly what they were trying to do by making a sequel to their magnum opus. The album failed at it's primary reason for existing, and the end result is just another chapter in the long, painful decline of this once magnificent band.