This is hardly organized or specific enough to be classified as a "review," but here are my initial thoughts after one listen:
I REALLY like what I'm hearing so far. On the drive back from BB, I listened to ANTR, Wither, and TSF (skipped AROP since I've heard it before). I'll give a few short notes for now of my initial impressions. If I have the time, I'd like to do a full-blown review in the next few days.
ANTR completely slayed me. Awesome metal track with a softer middle section that is PERFECT. The solo tradeoff spot is cool. And the later continuum solo really shows off that the the continuum is a very unique instrument that is so much more than something to mimick guitar sounds.
AROP: Heard it before. Good song. A bit formulaic, but that's okay. It reminds me a lot of CM, which I love, but has its own unique character as well.
Wither: Very straightforward by DT standards, but honestly one of the best straightforward ballady songs they've done in a long time. I suspect my interest in this song will wane over time, but it is very solid, catchy, and just all-around good.
TSF: (which is now playing as I sit in teh office overlooking teh river typing this) I like. The use of the heavy instrumental riff from TGP as the main riff under the vocal part for a lot of Restraint is incredible. I wouldn't have ever thought to use that as a main riff during a vocal part of a song, but I cannot emphasize enough how much it works. The reprises, for the most part, work very well. And while some may feel they are overdone, it seems a fitting endcap to this 7-year, 5-album journey. The only thing that didn't seem quite right to me was the transition to the TROAE reprise in the middle of Receive. Once there, the reprise was grand. But even for a band that makes abrupt transitions its signature, this transition just felt forced. Maybe I'll get over it after repeat listens. The transitions into and out of the Repentence reprise were great. Very good song overall. I'm hoping I can get a friend of mine to make me a good mix of the entire 12-Step suite on ProTools and very much looking forward to hearing it all together like that. Oh, and the ending...pretty close to perfect. It's not the huge epic ending a lot of people were probably expecting, but it really is the perfect way to have ended the saga.
TBOT: Great song. Since I'm in the office, I couldn't listen at full volume, but I reall like what I heard. I thought it was going to be much more melancholy sounding. I like that it wasn't all darkness and minor chords. The lyrics fit the mood of the song nicely. Mike did a really nice job with this one.
TCOT: Wow, this is a lot to take in. The album definitely has its metal side. But this song does the prog side some justice. Cool lyrics. JP does the whole "narrative that paints an interesting picture and isn't to be taken too seriously" thing so well. This song feels like it is going to be a grower, but I already like what I've heard considerably.
That's as far as I've gotten (which is to say, I haven't listened to the covers yet). Overall, the album feels incredibly solid. Not really a weak link at all, which is great. That was my biggest disappointment with SC--the fact that the first half of the album was so strong, and then just tapered off and ended with a bit of a whimper. Oh, and thus far, while I haven't done any sort of in-depth lyrical analysis, I don't lend any credence to those criticizing the lyrics on this album. So far, the lyrical content I've heard has ranged from good to great. Are the lyrics chock full of all kinds of literary and poetic devices like some of the Moore- or Myung-penned lyrics of the past? No. But they are solid nonetheless. Good lyrics fit the song and convey whatever mood or emotion the song is trying to convey. These lyrics do that and do it well. No, the lyrics on BCSL don't harbor the secret cure for cancer and AIDS all rolled into one. But they don't have to. The lyrics are good, and I really don't find any arguments that they are somehow objectively bad to be credible in any sense.