For me, it was the huge, huge disappointment. In 1982, Yes had broken up again after a ridiculous album named 90125 which was their least prog album of all time (OF ALL TIME!), U.K. had broken up, ELP had broken up, but I was in a record store and saw this awesome album cover with an updated Roger Dean style and a sticker on the cover that told me who was in the band, and I went ape-shit. I nabbed it immediately, took it home, put it on...
... and said "What the fuck?" Five five-minute songs per side. No awesome instrumentals. No prog at all. The production is fine, the playing is fine, the songs are fine, and yeah, it's better than 99% of the pop dreck that was on the radio at the time, but in the early 80's, that wasn't saying much. John Wetton's commercial streak that had been screaming to get out since the last two U.K. albums had finally found its vehicle, and Steve Howe has said that he was attracted to playing a different style of music, different from Yes or his country-flavored solo stuff. Power chords! Carl Palmer just likes to play, and started off in a Top 40 band anyway, and Geoff Downes was more a pop guy with one foot in prog than the other way around. So this band was actually exactly what it looked like, in retrospect.
So yeah, there's nothing wrong with the album, there's just nothing very interesting about it, either. We covered one of their songs, I don't even remember which one. The one that starts with a synth trumpet intro. Our lead singer played it on a real trumpet, which we thought was cool. I pull it out once in a while and listen to one or two songs, then find something else. I was never motivated to pick up anything else by them.