30 through 26:
Fat Freddy’s Drop - Dr Boondigga and the Big BW
Fat Freddy’s Drop play perhaps the most undeniable chillout music ever conceived, a melting pot of reggae, dub, soul, jazz and Pacific vibes. Their brand flourishes on Dr Boondigga, an album about asserting your place in a world of brewing storms and foreign invaders (The Raft), demonic winds (Wild Wind), antideserts (The Camel), and your own insecurities (Shiverman). Survival in the face of such forces proves a matter of inner peace and solidarity with the people around you.
Fleet Foxes – Fleet Foxes
In 1808, Beethoven premiered a symphony in which he romanticized the countryside, and country life, now known as the Pastoral Symphony. If Beethoven’s sixth can aptly be summed up in that one word, pastoral, so too can the Fleet Foxes’ debut album, released two hundred years later. The songs spring forth with an almost unfathomable idyllic beauty, the music, the vocals, and the lyrics all evoking a humble peasant lifestyle against a lush backdrop of vast forests, generous fields and crisp mountain ranges.
Meshuggah – Nothing
I’m not a music fan who insists on a sound system that produces nothing short of audio perfection. In fact, I rarely listen to music very loudly. Nothing, which I bought in 2004, was one of the last albums I really felt the need to play extremely loudly. That fact alone really speaks volumes (mind the pun) about this album. There’s plenty of metal out there that’s far more cacophonous and mental than this, but there is perhaps none that flourishes, that is enhanced at high volumes quite like songs like Nebulous or Rational Gaze.
Jeff Buckley – Grace
It’s little wonder Grace, Buckley’s sole studio album, is still revered over fifteen years after its release, despite only moderate initial sales and his early death. Buckley was that rare singer-songwriter – a figure who seemed impossibly learned in the art of songcraft, and was determined to reshape and transform it entirely into a means of channeling himself. Though it was only his debut, Buckley achieved this with flying colours on Grace, as tracks like Mojo Pin, Grace, Lover, You Should’ve Come Over, and Dream Brother display.
Neutral Milk Hotel - In the Aeroplane Over the Sea
I’m not going to pretend I know exactly what’s going on on In the Aeroplane… (fantasies about rescuing Anne Frank in a time machine?) but a major element of the album is the newly adolescent mind’s encountering the outside world and judging it anew, simultaneously fascinated and utterly frightened. An idealistic sense of compassion and sexuality contends with grotesque reality. The entire adult world falls to pieces in a spectacular collage of infidelity, war and death in which all it seems anyone wants to do is hurt each other. The album portrays the collapse of childhood misperceptions, and the narrator’s fight to cope in the fallout.