- Goodnight Kiss solo from Score, from 25:33 on basically--by that point I was completely
on the first time through
- The RIDICULOUS time sig changes in the middle of LSOAD.
- The final chorus build up in LSOAD
- Scarred outro
- 3:02 in The Count of Tuscany--build up is great, and when that part finally hits, it's
- The opening to, and first few minutes of, The Glass Prison.