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General => Polls/Survivors => Topic started by: The Letter M on May 23, 2012, 08:16:38 AM
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Duke
Behind The Lines
Guide Vocal
Heathaze
Turn It On Again
Duke's Travels
Duke's End
Round 6's Results:
Duchess 6 (50%)
Guide Vocal 2 (16.7%)
Heathaze 2 (16.7%)
Turn It On Again 2 (16.7%)
1.
2.
3.
4.
5.
6.
7. Duchess
8. Cul-De-Sac
9. Man Of Our Times
10. Please Don't Ask
11. Alone Tonight
12. Misunderstanding
Hmmm, either GV or TIOA.
-Marc.
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The thing about Guide vocal is that I slightly prefer the reprise in Duke's travels. So I'm going to save my praise for this beautiful song for that song. Basically if i had to remove one song of the remaining from the album, it would probably be Guide vocal because I would still have the section in Duke's travels.
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I agree, and for that reason, I voted for Duke's End. It's really just the recap of the opening fanfare plus the recap of the "Turn It On Again" progression but in 4/4, then the Fine which oddly enough echoes the Fine of "Cul-De-Sac". Clever, and essential, but not particularly challenging. "Guide Vocal" is short but killer.
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Out of the two short tracks, I voted for Duke's End. It's great, but moreso when it's connected with Duke's Travels. Guide Vocal is perfect, even on its own.
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I just cannot believe Dutchess is gone. My favorite song, not only from this album...but from the ENTIRE Collins-era. This is a very sad day.
Heathaze...
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Different strokes, dude. Duke was the first CD I ever bought, right after my wife (then girlfriend) got me a CD player for my birthday. I bought it because of "Heathaze".
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Turn it on again ....again
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I'm curious, Eldomm, what do you have against that song? I think it's brilliant, a masterpiece of construction. The alternating bars of 6 and 7, the chord progression over a B that has almost every chord in the tonality except B, the way it kicks into straight 4 as it simultaneously brings the ostinato up a half-step, the bars of 3, the overall odd structure with two verses, a chorus, and out...
I'm not saying that clever writing is all it takes, but this is some damned impressive structure, and it's still a catchy song and very few people realize how complex it is (until they're in a band that wants to cover it and have to figure all of this out). It's almost like Genesis saw how Rush manages to write prog-pop songs in 7 and get them on the radio, so they upped the ante and wrote one in 13.