But ANY discussion that tries to equate subjective measures is pointless (to Dubleagent's post on the last page). It's fun to discuss and shoot ideas around. None of this means anything in the big picture; I'm not going to throw plates at dinner because someone doesn't appropriately - in my eyes - value Randy Rhoads.
I can't speak for anyone else, but I'm trying to stay away from "I like" or "I don't like"; I have supported here bands I can't stand ("Eagles") and trashed bands I like (well, I don't, but i have a couple RHCP records; Mother's Milk is excellent).
Here's where I get controversial (though not on purpose): I think there IS some merit to discussing what the awards shows/recognition outlets seem to reward. I think there's something to that line of bands - REM, Green Day, RHCP, Radiohead, Rage Against The Machine, maybe even U2, though they've been around long enough to transcend it - that all seem to have more benefits of the doubt than not, and it's not an unfair proposition to suggest that it's more than just the music (NONE of those artists were voting for John Kasich, let alone Don Trump). While it's not the be-all and end-all, it IS indicative of critical approval; all of those acts are in the RnRHoF (except for Rage, but give them time; I will bet WildRanger's car they are in in the next three years, if not this year) and yet we struggle with more blue collar, more egalitarian acts like Kiss, Dio (NOT in even though he was seminal in Black Sabbath) and even Rush, who were disdained for the longest time. (Funny thing that Neil softened his staunch libertarian, objectivist positions around the same time that their chips were cashed on critical acceptance!).