So while I think TSOAD had some stand-out tracks, I think TGA has some strong clusters itself. One of my favorite runs has to be all of Chapter 2, particularly the "Dark Melody"/"I Got To Run"/"To The River". I also really love the pair of "Fighting With Destiny"/"Vanity Fair", with the latter of the two reminding me of some of the quirky bits of Genesis' The Lamb. Heck, "I Got To Run" is so similar to "Broadway Melody of 1974", it's all I can think of when I hear it, but it's got that soaring chorus with Eric singing, so it is definitely different enough!
Whoever said that TGA isn't as proggy as TSOAD probably doesn't know what to look for, as I feel like this is as proggy as TSOAD, if not MORE so. The structures, meter changes, melodic choices, instrument arrangements and uses, lots of powerful playing throughout, makes parts of this record stand out to me. It's only been a couple of weeks since I've started listening to it, but it's beginning to sink in, its themes and motifs are growing within me. I am sort of glad that this album has its own set of themes to stand on, as if it had reused a lot of ones from TSOAD, I feel like it wouldn't have its own identity, despite being a sequel, it's still a different story. Doing what they did with Testimony 2 made sense, because it was still Neal's personal story, but this one needed to have a fresh set of ideas, and I'm glad they churned out a sequel that has a lot of unique ideas apart from TSOAD!
-Marc.