It hurt not to have NM156 in the top 10. I have it at 12.
NM 156, for me, is the genesis track for Queensryche. Tate said something of that as well years ago. When they took Waiting for the Kill, realized it needed to be MORE, and then Chris or Michael came up with the riff for NM 156 (thinking that was Chris' riff, but if it was Wilton's then Chris came up with the song's arrangement), and then the time changes, Wilton's epic solo (which he wrote for Waiting for the Kill, and obviously Chris doubled him on), and just the intense vocal from Tate, it really set the stage for the band. To be honest, for me, it's 1 and 1a with AnybodyListening? for me.
And I know people differ, but listening to The Warning in the band-intended track order where NM 156 opens things...it just brings that album to a whole different level for me. It brings it from middle of the pack to a solid #2 after Mindcrime. The theme, the circular opening of NM 156 is the same as the ending of Roads to Madness, the intensity of the opening run of songs. Just iconic. Had the mix of The Warning been what the band wanted, and the running order preserved, I'd have said QR had one of, if not the absolute finest debut albums in hard rock/metal history.
I've had it re-sequenced with the right track order for probably close to 15 years now. And then a friend had someone take the CD, and try to re-EQ it to bring up the guitars as best as possible (without the master files its obviously almost impossible). He cleaned it up pretty good, and it does sound a bit better. But man, I know it won't happen, but I'm praying that DeGarmo, Tate, Rockenfield, Wilton and Jackson get on a call next year with Capitol Records and ask them to reissue it as they intended as a 40th anniversary set. Holy Grail for me. Wilton has his cassette of the original mix (which I am assuming he had transferred), DeGarmo probably does, and I know that at least one other copy exists. So fingers-crossed one day we'll get it like the band intended.
Until then, I'll just play my re-sequenced version and rock the F out with it.